한국 칠화(漆畵)의 전통 형성과 특징 연구

Abstract

This study analyzes traditional form and figurative characteristics of Ottchil Paintingbased on objective relics about long lasted Ottchil Painting and related literature as our country’snational culture. Study range is among Lolang (Nangnang), Three Kingdom Dynastys(Koguryo, Baekje and Shilla), Unified Shilla Dynasty, Koryo Dynasty, Joseon Dynasty, Moderntimes and Contemporary. The method of study is after theoretical consideration of OttchilPainting through related literature, adduced figurative characteristics of related Ottchil Paintingby time period with case-study methods such as excavated relics and historical basis. OttchilPainting consists of color, which is derived from Ottchil mixed with a mineral pigment of powderand various patterns and drawings using different techniques. The methods of OttchilPainting are Myohoi, Yanggam, Gakhoik, Younma, Balsoa and Toiso. The techniques ofOttchil Painting of our country is established by splendid and unique for about 1,600 years revolvedaround Myochilchaehoi technique and Myoyuchaehoi technique started at Unified Shilla Daynasty and through Koryo, Joseon Dynasty, Modern times and Contemporary. Also, suchthis Ottchil Painting form of red in the inside and black in the outside, which is wood based,the rest is bamboo sheath and framework from Geonchil based and the figurative characteristicspresented the traditional Patterns of Lotus, Phoenix, arabesque, bird, animal, cloud, marble andletter with red Ottchil, yellow Ottchil, or five colors Ottchil.