Global Pitch Characteristics of Tonal and Non-Tonal Language Speakers : Evidence from Mandarin-Korean Bilinguals
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The present study examines the global pitch characteristics in Mandarin and Korean produced by twenty-two bilingual speakers of the two languages. An acoustic experiment was conducted in which a script of the story Northern Wind and the Sun was produced in both Korean and Mandarin at self-controlled fast and slow rates. It finds that Mandarin, a tonal language, is produced with neither wider pitch range nor overall higher pitch and therefore suggests that tonal languages may not necessarily be produced with wider or higher global pitch than non-tonal languages. A comparison of L1 and L2 speech reveals that significant pitch range reduction and global pitch lowering are observed only in the female native Mandarin speakers’ L2 Korean. In contrast, a pitch range remains comparable in L1 and L2 speech produced by the male native Mandarin speakers as well as in L1 and L2 speech produced by the male and female native Korean speakers. It further finds gender effect but no speaking rate effect on pitch peak and valley manipulation in changing global pitch ranges. Findings of this study are not in total agreement with previous studies that claim an overall narrow pitch range to be the most essential characteristics of L2 intonation patterns. The observation that the native Korean speakers produced neither pitch range reduction nor overall pitch lowering in L2 Mandarin may be due to their meta-linguistic awareness of the importance of pitch production in a tonal language. L2 fluency seems to play a role in such a way that advanced-level L2 speakers tend to produce more native-like global pitch patterns.
Abstract
The present study examines the global pitch characteristics in Mandarin and Korean produced by twenty-two bilingual speakers of the two languages. An acoustic experiment was conducted in which a script of the story Northern Wind and the Sun was produced in both Korean and Mandarin at self-controlled fast and slow rates. It finds that Mandarin, a tonal language, is produced with neither wider pitch range nor overall higher pitch and therefore suggests that tonal languages may not necessarily be produced with wider or higher global pitch than non-tonal languages. A comparison of L1 and L2 speech reveals that significant pitch range reduction and global pitch lowering are observed only in the female native Mandarin speakers’ L2 Korean. In contrast, a pitch range remains comparable in L1 and L2 speech produced by the male native Mandarin speakers as well as in L1 and L2 speech produced by the male and female native Korean speakers. It further finds gender effect but no speaking rate effect on pitch peak and valley manipulation in changing global pitch ranges. Findings of this study are not in total agreement with previous studies that claim an overall narrow pitch range to be the most essential characteristics of L2 intonation patterns. The observation that the native Korean speakers produced neither pitch range reduction nor overall pitch lowering in L2 Mandarin may be due to their meta-linguistic awareness of the importance of pitch production in a tonal language. L2 fluency seems to play a role in such a way that advanced-level L2 speakers tend to produce more native-like global pitch patterns.
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