南朝 民歌의 형성과 전승의 양상 연구 —〈吳聲歌曲〉을 중심으로

Abstract

In order to examine the formation and tradition of folk songs in the Southern Dynasty(南朝), this study divides folk songs of 〈WuSungGeQu(吳聲歌曲)〉 in the 〈YueFuSiJi(樂府詩集)〉 into the folk song of civil origins and the folk song of literate origins. I compared the origins, outlines, and aspects of borrowing, with the focus on the folk songs that borrowed by the other class. In the folk song of a literary person who borrowed the folk song of civil origin, the original song often changes in the contents. Especially, instead of ‘female speaker’ used in civil folk songs, it is mainly focused on ‘observer point of view’ to portray the beautiful and sexy figure of the woman, which is a variation of folk songs according to their emotions and preferences. On the other hand, in the general folk song borrowing the folk of literate origins, the original contents and narrative method are followed without modification. This can be attributed to the class situation according to the order of that time.