≪掛枝兒≫와 ≪山歌≫에 나타난 부부의 형상과 馮夢龍의 모순적 태도

Abstract

This article examines the contradictory attitudes of Feng Menglong and the shape of married couples in ≪Guazhi-er≫ and ≪Shange≫, which were compiled in the late Ming period. First of all, the characteristics of the married couple in these folk song collections appear to be ‘extremeness of affair’ and ‘overturning of the hierarchy’. The former is revealed through the manner in which both husband and wife or both sides commit affair at the same time, and the latter can be seen from the shape of the wretched wife who abuses husband and the wife who is not satisfied with husband’s sexual function and wants a small husband. Next, I discussed the contradictory attitude of the Feng Menglong about the marital shape. He showed the ability to accommodate the anti-traditional couple by putting value on the expression of desire without filtration and the resistance to the contradiction of feudalism in the form of a couple in the folk song. However, Feng Menglong revealed contradictory attitude by ridiculing the shape of the wife.