剛菴 宋成鏞의 詩文과 畵題에 나타난 繪畵美學

Abstract

This article focuses on the Gang Am, Song, Seong-Yong spirit of high-minded and unsociable figures. Especially, I paid attention to the correlation between Nizan and GangAm, which is regarded as a pretext in Chinese paintings. GangAm wears a gauntlet for a lifetime. As such, clothing has a philosophical and conservative meaning beyond the practicality of protecting a simple body. This old outward form fits well with the character of GangAm of High-minded and unsociable figures. It was a symbol of the attitude and attitude of the Confucian saints who still want to keep their way in this age. In other words, GangAm understands the practice of ‘the doctrine of our Confucianism’, which corresponds to orthodoxy, in the same way as wearing ‘old clothes’ and ‘old crown’. The character of GangAm, who hopes to climb to the same level as the old man’s book in his mind and the old man through the old man’s writing, appeared to be a clear and leisurely life. The direction of this life was expressed in various forms in his <墨竹図>. The pursuit of GangAm’s ‘old thing’ and the occasional longing for ‘forgetting to return’ have also appeared in life. In addition, in realistic life, it appeared to be a clear and leisurely life of a seclusion oriented mind that makes clouds, winds, and moon friends. This clear and leisurely life of seclusion has served as the foundation of his art of painting, along with a life of self-control and crackdown.