中国动画电影中的哪吒叙事研究 - 以＜哪吒闹海＞(1979)与＜哪吒之魔童降世＞(2019)为例

Abstract

This paper takes Prince Nezha’s Triumph Against Dragon King(1979) and NE ZHA(2019) as examples to study Nezha narration in the film. There are mainly four aspects: First, the image of Nezha. In Prince Nezha’s Triumph Against Dragon King(1979), Nezha is a naughty boy with a sense of justice and simple mind. In NE ZHA(2019),he is a naughty boy who hides his innocence and lonely. Second, the relationship between Nezha and his father. In Prince Nezha’s Triumph Against Dragon King(1979), Li Jing was rigid, weak and did not fulfill his father’s responsibilities. The contradiction between Li Jing and Nezha is actually the reflection of the contradiction of position and class. In Nezha(2019), the father-son relationship returns to the family. Li Jing’s love for Nezha is generous and tolerant, which is also a manifestation of the relationship between parents and children in today’s society. Thirdly, Nezha’s hostile relationship. The main hostile relationship of Nezha in the movie Prince Nezha’s Triumph Against Dragon King(1979) is the feudal ruling forces represented by the Dragon King. Nezha has the dedication spirit needed by the era after the Cultural Revolution. The main contradiction in NE ZHA(2019) is the contradiction of existence, that is, the contradiction between fate and self-development, which is manifested in secular prejudice and destiny. Fourth, the narrative climax of the film. The narrative climax in the movie Prince Nezha’s Triumph Against Dragon King(1979) is the scene of Nazha committing suicide. The main dramatic conflict in NE ZHA(2019) is to overcome oneself, so the climax is the scene of fighting against the heavenly thunder. The rewriting of traditional Nezha narration in the two films reflects the characteristics of different times.