아리오스토와 사랑의 아이러니
Ariosto and Irony of Love
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The invisible real protagonist of Orlando furioso of L. Ariosto is Amor, the god of love, who dominates prepotently the numerous and various love affairs narrated in this vast poem, including the madness of Orlando. Far from the medieval chivalry and so-called courtly love, almost every episode presents very extreme and absurd form of love, which reveals the humanistic conception of love and the modern mentality of the High Renaissance. And Ariosto narrates with ironical tone the multiple aspects of love mainly connected with secular desires and, subsequently, with its derivatives like hate, jealousy, treason, vengeance etc. Ironically enough Angelica seems to select the most simple, modest and real love after having fascinated innumerable Christian and Islamic famous paladins and kings, and caused many serious events; she falls in love with a humble wounded soldier Medoro, marries him, and returns to her kingdom in order to bestow him the crown.
Abstract
The invisible real protagonist of Orlando furioso of L. Ariosto is Amor, the god of love, who dominates prepotently the numerous and various love affairs narrated in this vast poem, including the madness of Orlando. Far from the medieval chivalry and so-called courtly love, almost every episode presents very extreme and absurd form of love, which reveals the humanistic conception of love and the modern mentality of the High Renaissance. And Ariosto narrates with ironical tone the multiple aspects of love mainly connected with secular desires and, subsequently, with its derivatives like hate, jealousy, treason, vengeance etc. Ironically enough Angelica seems to select the most simple, modest and real love after having fascinated innumerable Christian and Islamic famous paladins and kings, and caused many serious events; she falls in love with a humble wounded soldier Medoro, marries him, and returns to her kingdom in order to bestow him the crown.
참고문헌 (9)
- Ariosto, Ludovico, "광란의 오를란도(전 5권)" (2013), 아카넷
- Rajna, Pio, "Le fonti dell’Orlando furioso" (1876), Sansoni
- Mizzau, Marina, "L’ironia" (1984), Feltrinelli
- Calvino, Italo, "Ludovico Ariosto raccontato da Italo Calvino" (1995), Mondadori
- Fortichiari, Antonio, "Invito alla lettura di Ariosto" (1987), Mursia
- Pazzaglia, Mario, "Antologia della letteratura italiana, Vol. II" (1982), Zanichelli
- 김운찬, "아리오스토의 환상과 현실", 이탈리아어문학, (30), pp.51~77 (2010), 한국이탈리아어문학회
- 김운찬, "『광란의 오를란도』와 아리오스토의 서사 전략", 외국문학연구, (48), pp.39~58 (2012), 외국문학연구소
- 박진경, "『미친 오를란도 Orlando furioso』와 총포(le armi da fuoco)", 이탈리아어문학, (33), pp.127~167 (2011), 한국이탈리아어문학회