息山 李萬敷의 書藝美學에 관한 연구

Abstract

Sik-san(息山) Lee, Man-bu(李滿敷) is respect Zhuxi and Yi Hwang, and, making the philosophy of his philosophy of them. In addition, their philosophy of the same in awareness of the calligraphy of his. He strongly criticizing the ideas of heresy, and Yi Hwang to promote resistance to the idea raised by the right understanding. In addition, politeness, which highlight from such private his calligraphy style, directly applies. Speaking in his calligraphy Neo-Confucianism is the characteristic of cognizance of an ‘keep the natural law and abolish the selfishness(存天理, 去人欲)’ through understanding a calligraphy. In addition, did calligraphy to reveal what right through the restoration of the substance of the calligrapher. In this regard, in particular, the calligraphy world of He Muk as positive. Especially noteworthy among in the calligraphy cognizance of the productive, Wang Xi-zhi set it is already assessing calligrapher of Joseon dynasty by a point not. He is to assess the calligrapher of Joseon dynasty, his eyes. This point is The Korea Calligraphy help to identify. He is to reveal the strengths of the calligrapher of Joseon and evaluated positively about their point. This understanding of his calligrapher of Joseon dynasty behind the scenes are enough to keep up with the calligrapher of China means he has the strength. This calligraphy Yi Hwang as a place for philosophical influence of his calligraphy Trend in the Yeongnam region, which still remains today helps understand. His calligraphy An understanding of the Korean calligraphy in that one and provide direction to seek the identity of the significance.