윤대녕 소설에 나타난 사물화적 양상으로서의 ‘죽음환영’ 고찰

Abstract

<Why the tiger goes to the sea?> <The snow traveller> of Yun Dae Nyeong show that the ‘Death Instincts’ in the human beings themselves is an agent for the life instincts and also a motive to create a new will through the death illusion in the daily life. At the same time, such ‘death illusion’ is inherent in the day-to-day existence and the Thing inherent in the nature of the the Thing serves as effect of the the Thing. It is the the Thing expressed willingness to actively participate in the practical and apart from that. The hero ‘Yeong Bin’ in the novel <Why the tiger goes to the sea?>witnessed holy Bridge nine years ago, a tragedy. In addition, ‘Yeong Bin’ recognizes the death illusionn being close to himself by sudden deaths of two Japanese women around him, destruction of a happy family and after then a death approaching to his ‘father’ carrying the stick. As this death apparition visualizes as a ‘tiger’, ‘Yeong Bin’ makes efforts for knowing the nature of the tiger's apparition in the sea blowing a hurricane, however, he never sees it. ‘Yeong Bin’ the death of the sea adjacent to the death, that is, that the negative the Thing negative cultural aspects walks through the nature of death. As this death apparition visualizes as a ‘tiger’, ‘Yeong Bin’ makes efforts for knowing the nature of the tiger's apparition in the sea blowing a hurricane, however, he never sees it. Because this is a death instincts of his inner side. The death instincts is mixed in the daily life as an unknown ‘apparitional’ mechanism. By this reason, ‘Yeong Bin’ raises a question about the nature of material as an escape point for a limited time oppressing him like obsession and exercises his will to give a meaning for each the Thing. The will for the life instincts of ‘Yeong Bin’ to overcome the death instincts surfaces by the Thing recognition in the ‘sea’. ‘Yeong Bin’ realizes that the tide time, which seems always fixed, is at work by an unknown power and finally that's the nature of the sea. Then, by this, he reaches the realization that his daily life is also the result of this will effect. while, ‘I’ and ‘He’ the point of view described as <The snow traveller>shows the travel of ‘I’ as a speaker wandering in the snowy fields of the Akita Prefecture for finding a child crying in the snow. The ‘young children’ is a self-reflective. And more than a few meters of snow in Akita, cloudy landscape of red light station, restaurant, such as and baby crying, old world hotel and eyes are revealed in the dim light ‘or’ primitive experience is reflected of death illusion. welcome death. ‘Baby’, ‘sea’, ‘snowy’ of the Thing in the novel, are signifiers as symbol of such death illusion. There never could stare death in front of him as well as glimpse it through would death illusion. The main characters are the objects themselves through cultural awareness back to the time the report reflect the underlying commitment to practice.