이주홍 희곡의 정체와 부산연극과의 접변양상 연구

Abstract

Hyangpa, Lee Ju-hong was generally well-known by a juvenile literary writer and novelist. On the other hand, while he exploited the area of the juvenile drama already at 1930 first half years to the ship's fittings, the fact which we resisted with Japanese imperialism at the rank contradiction through him was not known entirely. Also he is the drama writer and player to exploit the spot of the wilderness play of Busan after the liberation. Therefore, this paper is first try which tries to inform of his value by finding out and illuminating Hyangpa's drama worlds. Hyangpa, Lee Ju-honga's drama worlds was divided into a three time greatly and unfolded. That is, a juvenile drama world of KAPF period, a scenario world in the end of Japanese Imperialism, and a student play, an adult play world after liberation. While I pursued that I flow such, The value of literature to clarify is as follows. Then, the end of Japanese Imperialism we showed the feature to concentrate on a scenario creation. Probably this is regarded to escape from the mobilization order of nation literature after the Pacific war. And the drama writing activity after the liberation became the foundation to make the student and an adult play of Busan. In the process of unique writing play, while the Busan theatre advanced to a student, university and adult play around him, the theatre inpeula in Busan became the change to be made. In this way, In the middle of the world of Hyangpa's drama was unfolded to a juvenile drama, a scenario, a student play, and an adult play. He left the cultivated work in the juvenile drama, film, and especially in the area play. In spite of the big work, the research of his dramatic literature does not exist. Such fact is important loss in the Korea drama history. So we have to be concerned about finding out and illuminating of the works.