이무영 희곡의 공연성 연구 -장막극을 중심으로-

Abstract

Korean drama history has maintained two main themes; the liberty from tradition and the liberty from colony. There were two playwright groups; one was a playwright as well as a man of the theater and the other was to write a drama as a novelist or a poet. They succeeded to Korean drama's existence. Lee Mu Yeong is an agricultural novelist who took part in KuK Ye Sul Yon Ku Hoi‘s member for four years. He put <Mu Ryo Chi Bung Sul>, <Su Jun No> including <Han Naz Ae Kum Ku Nun Sa Ram Dul> on the stage and published 16 dramas, including <Mo Nun Ja Wa Zoz Ki Non Ja>, <A Bu Zi Wa A Dul>, <Tolstoi>, <Lee Sun Sin>. His description of stage in works is available to the actual performance, but the play show us the low quality of works. Early period non­professional playwright created their plays with passion and eagerness, though they didn't practically have any relation with theatrical activities and didn't work for professional dramatists. As a matter of fact, they wrote difficult dramas to put on the show. In other words, non­professional playwright contributed to enlarge literary realm for personal interests, but they had few contribution to the history of the modern Korean script and drama. Therefore, the result about this study is that early period non­professional playwright in the modern literature ended in failure because of ideological speculation and structural defects.