<진주검무> 삼현육각 음악 연구

Abstract

This paper examines transmission of Samhyeony-ukgak music of Jinju sword dance during the late 20th. Samhyeony-ukgak include Piri, Daeguem, Haeguem and percussion. This band originated from military band of Joseon Dynasty called Seaksu. However, After the fall of Joseon Dynasty and the disbandment of the Korean military, Samhyeony-ukgak music was almost disappear. Therefore, when Jinju sword dance became the no.12 National Intangible Cultural Asset, there was no melody but only remain rhythmic pattern of Jango. So Jinju dancers used Gyeonggi Daepungryu by Lee, chungseon as Jinju sword dance’s music. Until 1980’s, because there were few wind players in Jinju, some wind players of National center for performing arts in Seoul came to Jinju for accompanying Jinju sword dance. at that time, wind players of National center for performing arts play the music revised by Jeong,jae-guk who studied from Lee, chungseon.. In this period, The jinju sword dance preservation society wanted to make their own music and finally in2002, the use new Samhyeony-ukgak music as jinju sword dance. As a result, three different kinds of music for jinju sword dance exist now. For example, The jinju sword dance preservation society use new Samhyeony-ukgak and wind players of National center for performing arts use Gyeonggi Daepungryu by Lee, chungseon and Jee, young-hee.