비디오아트에서의 영상 이미지 표현에관한 대안적 접근:여성아티스트들의 자기반영성을 중심으로

Abstract

Salient paradigm of visual image after 1990's is the way of which author or editor represent herself actively or make his/her life and thought as its subject. Owing to video media has participant, communicative characteristics, and does not have its own history of excluding women, Women authors make chance to experiment new aesthetics.To establish their own language, Women artist have tried to make self-reflective image. This study focused on how do women artist transform their identities by video, and how do they present its characteristics of new forms of video and possibility of new aesthetics. To research it, this study will propose specific point of view about trends through analyzing self-reflective form of main works. Women spin their video camera toward themselves for realizing women form such as vagueness, indeterminacy, irregularity. These characteristics intend to function as a strategy of deconstructing phallicism and derriding their way. This process is consciousness' flows of unconsciousness, and also self-segmental process that deconstruct traditional relationships between itself and others. Thought is almost unconscious, and desire slide on signfier continuously.