사진에서 영화로: 마레가 영화의 발명에 미친 영향
From Photography to Cinematography: Marey’s Influence on the Invention of Cinematography
1
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
This paper aims to clarify the influence on the invention of cinematography that exerts the chronophotography made by Etienne-Jules Marey, a French physiologist in 19th century. In 1881 Marey designs and builds his first camera, photographic gun, that makes 12 sequential images a second on a rotating glass disk. In 1888 as a result of the inadequacy of his chronophotography with superimposed images, he adopts a band of sensitized paper upon which a series of impressions has been obtained, at the rate of twenty per second. By adopting this roll film, Marey invents an apparatus that winds off a band of sensitized paper with a speed which may reach 0m, 60 per second. This camera enables him to obtain the successive impressions of a man or of an animal in motion. Eventually, Marey is the first to propose and use the roll film that is more appropriate for long series of pictures. Marey is also the first to invent the film camera that makes roll film move, and arrest during the period of exposure. Finally Marey is the first to conceive and invent the film projector.
Abstract
This paper aims to clarify the influence on the invention of cinematography that exerts the chronophotography made by Etienne-Jules Marey, a French physiologist in 19th century. In 1881 Marey designs and builds his first camera, photographic gun, that makes 12 sequential images a second on a rotating glass disk. In 1888 as a result of the inadequacy of his chronophotography with superimposed images, he adopts a band of sensitized paper upon which a series of impressions has been obtained, at the rate of twenty per second. By adopting this roll film, Marey invents an apparatus that winds off a band of sensitized paper with a speed which may reach 0m, 60 per second. This camera enables him to obtain the successive impressions of a man or of an animal in motion. Eventually, Marey is the first to propose and use the roll film that is more appropriate for long series of pictures. Marey is also the first to invent the film camera that makes roll film move, and arrest during the period of exposure. Finally Marey is the first to conceive and invent the film projector.
참고문헌 (15)
- 박상우, "이미지와 선: 마레의 크로노포토그라피 연구", 현대미술사연구, (33), pp.199~224 (2013), 현대미술사학회
- Marta, B., "La photographie du movement, in Beauty of Another Order. Photography in Science" (1997), Yale University Press
- Marta, B., "Aux limites du savoir: 1845-1900; la photographie et les sciences de l'observation, in L'Art de la Photographie des origines à nos jours" (2007), Citadelles & Mazenod
- Frizot, M., "Etienne-Jules Marey" (1984), Photo-Poche, Centre national de la photographie
- Frizot, M., "Du bon usage de la photographie : une anthologie de textes, coll. Photopoche" (1987), CNP
- Frizot, M., "Vitesse de la photographie. Le mouvement et la durée, In Nouvelle histoire de la photographie", pp.1994, Bordas
- Frizot, M., "Etienne-Jules Marey" (2001), Chronophotographe
- Marey, É.-J., "Modifications de la photo-chronographie pour l'analyse des mouvements exécutés sur place par un animal", Comptes rendus hebdomadaires des séances de l'Académie des Sciences, 107, pp.607~609 (1888)
- Marey, É.-J., "Décomposition des phases d’un mouvement au moyen d’images photographiques successives, recueillies sur une bande de papier sensible qui se déroule", Comptes rendus hebdomadaires des séances de l’Académie des sciences, 107 (1888)
- Marey, É.-J., "La photochronographie et ses applications à l'analyse des phénomènes physiologiques", Archives de physiologie normale et pathologique, (29), pp.508~551 (1889)
- Marey, É.-J., "Le mouvement des êtres microscopiques analysés par la chronophotographie", Comptes rendus hebdomadaires des séances de l’Académie des sciences, 2 (1892)
- Marey, É.-J., "Le mouvement" (1894), G. Masson
- Marey, É.-J, "Nouveaux développements de la chrono-photographie" (1897), Impr. nationale
- Marey, É.-J., "La chronophotographie" (1899), Gauthier-Villars
- Regnault, F., "L'histoire du cinéma. Son rôle en anthropologie", In: Bulletins et Mémoires de la Société d'anthropologie de Paris, 3, pp.61~65 (1922)
