이왕직아악부의 교토 공연 연구

Abstract

Yiwangjik aakpu 李王職雅樂部(Royal Conservatory of the Yi Household) is an agency in charge of Yiwangjik 李王職(the Yi Household) - related music during the Japanese colonial era. Yiwangjik is an agency created as a result of Korean Empire court being transferred to Panggye 傍系of Japanese emperor in accordance with royal Pongjakche 封爵制(investiture system with the titles of nobility). The royal family of Chosŏn dynasty known as Yiwanga 李王家and Yiwangjik, were managed under the affiliation with a state agency of the imperial palace in charge of administrative work of Japanese royal family. Therefore, the music activities of Yiwangjik aakpu were not voluntary by nature. Among the musical activities of Yiwangjik aakpu, the only overseas performance is the one held at Kyoto 京都, Japan from January 15 till 25 in 1924. The details were kept in the dark until the data held at Changsŏgak 藏書閣(Library of the Royal Yi Family) was disclosed. Based on the data, the performance contents,purpose and background were explored closely. In the Kyoto performance, Sŏirhwa chigok 瑞日和之曲(Piece of Harmony on an Auspicious Day), Yŏnbaekpok chimu 演百福之舞(Dance of Bounteous Blessings),Manp'a chŏngsik chigok 萬波停息之曲(Piece to Calm Ten-Thousand Waves), Yochŏ' n sunil chigok 堯天舜日之曲(Piece for the Days of Emperors Yao and Shun),Ch'unaengjŏn 春鶯囀(Spring Nightingale Dance), Sŭngp'yŏng manse chigok 昇平萬歲之曲(Piece of Ascending to a Peaceful Eternity), Ponghwangŭm 鳳凰吟(Chanting of the Phoenix and Peacock), Mugo 舞鼓(Drum Dance) and Chŏngsang chigok 呈祥之曲(Piece of Presenting Happiness) were played for two days with six pieces on each day. Besides the performance, musical instruments of Chosŏn and the origin of music were introduced, an indication that the music and dance of Chosŏn were introduced to Japan. For Yiwangjik aakpu, musicians including supervisor Kim Yŏng-je 金寧濟were deployed. The performance was watched by aristocrats, intellectuals, and music and dance-related officials in Kyoto area. Also, Changsaeng poyŏn chimu 長生寶宴之舞(Long Youth Royal Banquet Dance) was taught to an instructor of music and dance in Kyoto for two days, and a ceremonial event was held to see the vice-minister of Yiwangjik and chief of ceremony on their way to Tokyo to attend a wedding ceremony off at a train station. In Japan, Changsaeng poyŏn chimu was used for choreography of Miyako odori 都踊, and it was performed at the event in 1924. As for the purpose and background of Kyoto performance, the fact that the following factors were all associated for an event conducted by the Japanese Government-General of Korea was explored: purpose of Karye 嘉禮(congrtulatory rites) celebration for Japanese Crown Prince Hirohito, the first anniversary of Japanese revival, the 50th anniversary of participation in the World Exposition, and the purpose of new choreography with Miyako odori based on transferred music of Chosun for Garye celebration fair.