『가곡보감(歌曲寶鑑)』 소재 양금 “상령산가락(上靈山加樂)” 연구 - “상령산(上靈山)”과의 비교를 중심으로

Abstract

This study delves deeply into the intricate musical elements and unique characteristics found in “Sangnyŏngsan karak” and “Sangnyŏngsan,” both notated in the Kagok pogam source. Its primary aim is to compare their melodies and thoroughly explore the captivating variations within “Sangnyŏngsan karak.” Additionally, it contemplates the meaning behind “Sangnyŏngsan karak.” Here is a succinct summary of the findings. Firstly, a novel approach to interpreting musical notations was introduced through an analysis of the musical techniques in Kagok pogam. A reevaluation of the yanggŭm technique, the organization of notes and scales in “Sangnyŏngsan karak” and “Sangnyŏngsan,” as well as an examination of the rhythmic intricacies in these compositions were undertaken. Furthermore, there was a thorough investigation into how a single beat in the yanggŭm notation from Kagok pogam was transformed into two sub-beats. Secondly, a comparative exploration between the melodies of “Sangnyŏngsan karak” and “Sangnyŏngsan” was undertaken to unveil the variations present in “Sangnyŏngsan karak.” The findings revealed that “Sangnyŏngsan karak” takes the foundational melodic structure of “Sangnyŏngsan” and embellishes it with intricate rhythmic divisions, resulting in a more elaborate composition. Moreover, consistent patterns and distinctive features emerging during the process of variations were identified. Thirdly, a fresh perspective was provided regarding the significance of the name “Sangnyŏngsan karak,” as opposed to “Sangnyŏngsan p’uri.” Furthermore, the study considered the importance of “Sangnyŏngsan karak” as a foundational musical piece that not only serves as a variation but also provides insights into expanding the artistic repertoire of female musicians within the Kisŏng Kwŏnbŏn and their unique performance styles. Through these investigations, the study pondered how they enriched the performance repertoire within the Kisŏng Kwŏnbŏn and anticipates that this research will contribute to broadening the horizons of the traditional Korean music, enhancing its diversity in the context of contemporary yanggŭm performance.