19-20세기 전반 가사의 연행과 향유 양상 고찰

Abstract

This article will organize the aspects of enjoying ‘Kasa’ in the 19th century and the aspects of performing the genre of Kasa that the Yiwangjik Aakpu tried to pass down in the 20th century through the concert program of Yisŭphoe. In addition, the aspects of enjoying kasa among the people will be examined through the contents of various anthologies compiled in the first half of the 20th century. In particular, the term ‘12 Kasa’ is not used at all in the anthologies compiled in the first half of the 20th century, indicating that a completely different reality is operating from the category setting of 12 Kasa transmitted by Ha Kyu-il and Im Ki-jun of the Yiwangjik Aakpu. This implies that kasa was not confined to the number ‘12’ and that in the past, kasa music existed as a very dynamic genre. In this article, I would like to discuss such various aspects.