순천 선암사 축성전(현 장경각)의 벽화 연구

Abstract

In Suncheon Sunamsa temple, Chukseongjun was introduced to the royal buddist shrines along with Wontongjun, but a recent survey of temple murals revealed a variety of murals, including <Painting of Eight Views from the Xiao and Xiang Rivers> and <Painting of salute>. This study examines the present state and contents of interior murals Chukseongjun, I tried to reveal the formative meaning of the murals painted on royal buddist shrines. The royal buddist shrines of Seonamsa temple was designated in 1796 when King Jeongjo lowered King's document and royal letterl to Nulam Sonsa, a Buddhist monk who attempted to create a prince. Chukseongjun was built separately for the well-being of the royal family when Seonamsa temple was designated as the royal buddist shrines. Therefore, the Construction of royal buddist shrines of Seonamsa temple was started in 1796, it is presumed that it was built in 1798, when the fifth Construction of Sunamsa temple was completed. Although the Chukseongjun is located in the royal buddist shrines station, it has a separate three-point gate and a fence is formed an independent space of the temple, including the Wontongjun. This shows that the Chukseongjun was built in a Confucian shrine style within the temple, and that the royal buddist shrines, which performed a ritual to pray for the well-being of the royal family. The interior wall painting of the Chukseongjun consisted of Image symbolizing royal ceremonial space and with realistic meaning for the well-being of the royal family members. Also noteworthy, the <Painting of Eight Views from the Xiao and Xiang Rivers> was painted on the central wall of the ritual space. That the screen was painted as if it had a <Painting of Eight Views from the Xiao and Xiang Rivers8folding screen>. It is a common situation that the folding screen the royal ceremonial space. In fact, few examples of the ritual space have been shown in the form of folding screens. It seems that the <Painting of salute> drawn on the side of the inner north recreates the appearance of the civil servants participating in the royal procession. An example of the scenes that the civil servants practices is the most pre-existing painting of the wall paintings known so far. Such as <Painting of magpie and tiger> and <Painting of dragon> of the Central right and left is plays a role of defend the royal space. Except for royal ceremonial space, the mural is painted with look for good fortune and a lucky with auspicious meanings. The mural paintings of the late Joseon dynasty were constructed by accepting the private faith with a strong sense of reality. The interior wall painting of the Chukseongjun was seen to be magnificent as the image which desires longevity, wealth and relief for the royal. The shrines is a place where Buddhism and Confucianism can coexist within the temples. The interior wall painting of Seonamsa temple Chukseongjun, consisted of symbolizing royal ceremonial space <Painting of Eight Views from the Xiao and Xiang Rivers8folding screen> and <Painting of salute> by drawing to do rituals. It shows the aspect as Royal buddist shrines the image which desires longevity, wealth and relief for the royal.