냉동정물의 결정이미지를 소재로 한 조형사진 연구
Study on plastic photograph using images of crystal in the frozen objects
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초록
One of the key characteristics of the photography is that it represents the real world as it is. When we see the object in the images, we believe that we realize the essence of the object. However, this property, the clarity of photograph image, interrupts to interpret the meaning of the images in a various ways. In this study, I aim to escape from the sign of the real object then make new meaning of images by cutting a portion of the object or expanding the object. Choosing the part of an object makes viewers to get rid of the existing meaning or fixed idea and only its colors, shapes, and atmosphere are left. This method allow us to meet a new way to interpret the image differently compared to its existing meaning. Through this method, I reveal the image of Modern times that is alienated and isolated. I describe how plastic photography has developed and introduce the artists and works that are used an essential part of plastic art, action and rhythm, space and direction. Also, I study how the works emphasized formative beauty can reveal the new meaning of the image and how it communicates with a new sign. Lastly, various works motivated by aforementioned techniques and concepts are demonstrated.
Abstract
One of the key characteristics of the photography is that it represents the real world as it is. When we see the object in the images, we believe that we realize the essence of the object. However, this property, the clarity of photograph image, interrupts to interpret the meaning of the images in a various ways. In this study, I aim to escape from the sign of the real object then make new meaning of images by cutting a portion of the object or expanding the object. Choosing the part of an object makes viewers to get rid of the existing meaning or fixed idea and only its colors, shapes, and atmosphere are left. This method allow us to meet a new way to interpret the image differently compared to its existing meaning. Through this method, I reveal the image of Modern times that is alienated and isolated. I describe how plastic photography has developed and introduce the artists and works that are used an essential part of plastic art, action and rhythm, space and direction. Also, I study how the works emphasized formative beauty can reveal the new meaning of the image and how it communicates with a new sign. Lastly, various works motivated by aforementioned techniques and concepts are demonstrated.
참고문헌 (16)
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- 정진홍, "인물과 사상: 멀치아 엘리아데", 현상과인식, 1(4), pp.172~191 (1977)
- 천정임, "기초조형 & Ilusion:디지털환경에서의 새로운 조형원리", 한국기초조형학회 학술발표논문집, pp.61~62 (2001)
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- "두산백과사전"
- "Art and Objecthood" (1967)[URL]