6·25전쟁 전쟁 다큐멘터리 사진에 관한 연구 - 현역 군인 ‘한동목’이 촬영한 사진을 중심으로 -
A study on documentary photographs of the Korean War - Focusing on photos taken by active-duty soldier "Han Dong-mok"
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
The Korean War is one of the most tragic events in our modern history and brought many changes. From the perspective of Korean photographers, it is a very meaningful war in that it is the first attempt to reproduce the war. Many photographers were able to visually project their ideological knowledge of history and society by getting out of the fence of art photography through Japanese colonial era and touching reality through war. Among these photographers, there were not only civilians but also active soldiers who participated in the war. The photographers of the Ministry of National Defense's “Jeong Hoon-guk” and the photographers of each military headquarters and subordinate units were representative military photographers. Although he lacked expertise compared to civilian photographers, he belonged to each unit in the front and rear and took pictures during the battle. However, little of the active military photographers have been known so far. Unlike civilian photographers, they were unable to take pictures under their own names, and there were not many remaining photos due to many cases of loss or damage, so there were no known active military photographers except Lim In-sik, who served as the photographer of the Ministry of National Defense's “Jung Hoon-guk.” In this regard, Han Dong-mok's photo released in 2016 is worth giving a new perspective on the Korean War and at the same time knowing how active soldiers view the war. Han Dong-mok, who was commissioned as the "2nd generation of Jeonghoon officer" in 1950, participated as a member of the 1st and 8th divisions of the Armed Forces. It proved that the perspective of the photos viewed by active soldiers was inevitably different, and the photos also confirmed how to confirm the value of documents related to the Korean War. However, this study has limitations because it analyzes only a small part of the numerous photos left by Han Dong-mok. This is something that needs to be improved through future research.
Abstract
The Korean War is one of the most tragic events in our modern history and brought many changes. From the perspective of Korean photographers, it is a very meaningful war in that it is the first attempt to reproduce the war. Many photographers were able to visually project their ideological knowledge of history and society by getting out of the fence of art photography through Japanese colonial era and touching reality through war. Among these photographers, there were not only civilians but also active soldiers who participated in the war. The photographers of the Ministry of National Defense's “Jeong Hoon-guk” and the photographers of each military headquarters and subordinate units were representative military photographers. Although he lacked expertise compared to civilian photographers, he belonged to each unit in the front and rear and took pictures during the battle. However, little of the active military photographers have been known so far. Unlike civilian photographers, they were unable to take pictures under their own names, and there were not many remaining photos due to many cases of loss or damage, so there were no known active military photographers except Lim In-sik, who served as the photographer of the Ministry of National Defense's “Jung Hoon-guk.” In this regard, Han Dong-mok's photo released in 2016 is worth giving a new perspective on the Korean War and at the same time knowing how active soldiers view the war. Han Dong-mok, who was commissioned as the "2nd generation of Jeonghoon officer" in 1950, participated as a member of the 1st and 8th divisions of the Armed Forces. It proved that the perspective of the photos viewed by active soldiers was inevitably different, and the photos also confirmed how to confirm the value of documents related to the Korean War. However, this study has limitations because it analyzes only a small part of the numerous photos left by Han Dong-mok. This is something that needs to be improved through future research.
참고문헌 (37)
- 강준만, "한국현대사 산책" (2004), 인물과사상사
- 국방부 군사편찬연구소, "건군사", 국방부, ~ (2002)
- 국방부 군사편찬연구소, "노전평전투", 국방부, ~ (1992)
- 국방부 군사편찬연구소, "6·25전쟁시 군사동원", 국방부, ~ (2020)
- 국방부 군사편찬연구소, "6·25전쟁사 제6권", 국방부, ~ (2009)
- 국방부 군사편찬연구소, "6·25전쟁사 제8권", 국방부, ~ (2011)
- 국방부 군사편찬연구소, "6·25전쟁사 제9권", 국방부, ~ (2012)
- 국방부 정훈국, "정훈대계Ⅰ", 국방부, ~ (1955)
- 박동찬, "한 권으로 읽는 6·25전쟁", 국방부 군사편찬연구소, ~ (2016)
- 박평종, "사진의 경쟁 : 사진의 발명과 19세기사진의 개척자들" (2006), 눈빛
- 정근식, "한국전쟁 사진의 역사사회학" (2016), 서울대학교출판문화원
- 대한적십자사 인도법연구소, "제네바협약100문 100답", 대한적십자사, ~ (2004)
- 육군본부 정훈감실, "정훈50년사", 육군본부, ~ (1990)
- 육군본부 지휘통제참모부, "정보통신 전사사례", 육군본부, ~ (2016)
- 육군본부, "육군규정 105-4 육군 사진 규정", 육군본부, ~ (1955)
- 임정의, "우리가 본 한국전쟁" (2000), 눈빛
- 최봉림, "한국사진사 구술프로젝트 : 김한용", 한국사진문화연구소, ~ (2010)
- Arthur Rothstein, "Documentary Photography" (1986), Focal Press
- 김상미, "한국전쟁과 분단 이미지의 기원과 재생산 : 사진의 기록성과 예술성의 관계를 중심으로", 박사, 비교문화, pp.2011
- 김상미, "한국전쟁기 한국사진가의 사진사적 위상", 순천향 인문과학논총, (27), pp.435~469 (2010), 인문학연구소
- 김윤정, "다큐멘터리로서의 한국전쟁 사진", 석사, 미술사, pp.2009
- 김윤정, "시각 문화로서의 한국 전쟁 사진", 한국근현대미술사학(구 한국근대미술사학), (21), pp.111~129 (2010), 한국근현대미술사학회(구 한국근대미술사학회)
- 신은수, "종군기자의 활동과 위험성에 관한 연구", 한국영상학회 논문, 6(1), pp.97~136 (2008)
- 1953년 리비교 개통, "국방일보", 2019
- 1968년‘사이공식 처형’ 보도, "국방일보", 2019
- 신인호, "군민친선 사진전", 경향신문, ~ (1950)
- 정용수, "육군 정훈장교가 남긴 6·25전쟁의 기록", 중앙일보, ~ (2016)
- 이정진, "한국군 촬영 '6·25' 사진 1천500여 점 기증…역사적 가치", 연합뉴스, ~ (2016)
- 최종복, "연천군, 귀중한 고장 옛 사진수집 운동 추진", 아주경제, ~ (2011)
- 최종복, "군인관리도 모내기", 동아일보, ~ (1950)
