통섭적 사유와 인문학적 상상력: 해양문학의 지평 확대를 위하여
Consilient Thinking and Humanistic Imagination : Towards a Broader Horizon of Maritime Literature
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
Looking into maritime literature through consilient thinking and humanistic imagination enables the reader to question the uniform discussions regarding it. By drawing in a variety of literary qualities evident in maritime literature, new possibilities of creation in literature are set forth. If the creation of maritime literature is what writers are solely responsible for, the literary world as a whole is able to answer for the denial and criticism arising from the limited understanding that considers the sea a mere storage of the material world. It is believed that there will be a colorful burst of new literary possibilities,if such a critical view is well accepted to make contributions to authorial creativity. This study lays its purpose on a critical understanding of the reality in which discussions on maritime literature have so far ruled out any thinking, sensibility, and ideas different from the prevailing view that maritime literature is nothing buta portrayer of a material sea. The sea reflected in and represented by literature should not be denied its identity just because it lies beyond the physical boundaries defined by oceanography. This research is designed to create an opportunity to review and rethink materialism that has been haunting maritime literature, with a new approach grounded on consilience tearing down the boundaries of knowledge and imagination valuing but not confined to material itself. It also aims to bring new attention to a maritime literature featuring human beings and their lives along with a variety of human needs and desires emerging from them. All these efforts to overcome the framework of the existing literary trend are expected not to deconstruct maritime literature but instead to help restore, and strengthen, its productive creativity. After all, it is the cultivation of a good literature, be it rooted in materialistic spatiality or in organistic placeness, that we are working for in order to make the world a better place to live in. In this regard, it is believed that renewing approaches to studying maritime literature with the new tools of consilient thinking and humanistic imagination has a direct link not only to expanding the boundaries of Korean literature but also to unveiling the veil of human life.
Abstract
Looking into maritime literature through consilient thinking and humanistic imagination enables the reader to question the uniform discussions regarding it. By drawing in a variety of literary qualities evident in maritime literature, new possibilities of creation in literature are set forth. If the creation of maritime literature is what writers are solely responsible for, the literary world as a whole is able to answer for the denial and criticism arising from the limited understanding that considers the sea a mere storage of the material world. It is believed that there will be a colorful burst of new literary possibilities,if such a critical view is well accepted to make contributions to authorial creativity. This study lays its purpose on a critical understanding of the reality in which discussions on maritime literature have so far ruled out any thinking, sensibility, and ideas different from the prevailing view that maritime literature is nothing buta portrayer of a material sea. The sea reflected in and represented by literature should not be denied its identity just because it lies beyond the physical boundaries defined by oceanography. This research is designed to create an opportunity to review and rethink materialism that has been haunting maritime literature, with a new approach grounded on consilience tearing down the boundaries of knowledge and imagination valuing but not confined to material itself. It also aims to bring new attention to a maritime literature featuring human beings and their lives along with a variety of human needs and desires emerging from them. All these efforts to overcome the framework of the existing literary trend are expected not to deconstruct maritime literature but instead to help restore, and strengthen, its productive creativity. After all, it is the cultivation of a good literature, be it rooted in materialistic spatiality or in organistic placeness, that we are working for in order to make the world a better place to live in. In this regard, it is believed that renewing approaches to studying maritime literature with the new tools of consilient thinking and humanistic imagination has a direct link not only to expanding the boundaries of Korean literature but also to unveiling the veil of human life.
참고문헌 (27)
- 고은, "귀항, In 독도" (1995), 창작과비평사
- 곽재구, "포구기행" (2002), 열림원
- 김훈, "칼의 노래" (2001), 생각의 나무
- 김광규, "마지막 물음, In 처음 만나던 때" (2003), 문학과지성사
- 김만옥, "해중릉을 찾아서", 문학사상 (1981), 문학사상사
- 김명수, "바다의 눈" (1995), 창작과비평사
- 김원일, "앓는 바다", 현대문학 (1971), 현대문학사
- 김인배, "환상의 배, In 작가3" (1982), 소설문학사
- 김탁환, "불멸의 이순신" (2004), 황금가지
- 멜빌, 허먼, "모비 딕" (2010), 작가정신
- 신영복, "나무야, 나무야" (1996), 돌베개
- 이글턴, 테리, "문학비평 : 반영이론과 생산이론" (1986), 까치
- 이청준, , 월간중앙 (1968), 중앙일보사
- 윌슨, 에드워드, "통섭" (2005), 사이언스북스
- 장한철, "표해록" (1993), 범우사
- 장회익, "율곡과 엘리뇨, In 새들은 과외수업을 받지 않는다", pp.179~187 (2003), 산티
- 정유정, "7년의 밤" (2011), 은행나무
- 정한숙, "바다의 왕자 - 장보고" (2008), 고려대학교출판부
- 천승세, "신궁", 한국문학 (1977), 한국문학사
- 주성지, "표해록" (2004), 한길사
- 최인호, "해신(海神)" (2003), 열림원
- 카메론, 제임슨(Jameson Cameron), "영화 <아바타>(Avata)", ~ (2009)
- 카메론, 제임슨(Jameson Cameron), "영화 <타이타닉>(Titanic)", ~ (1997)
- 포코니에, 질(Gilles Fauconnier), "우리는 어떻게 생각하는가 : 개념적 혼성과 상상력의 수수께끼" (2009), 지호
- 한남규, "바닷가 소년" (1992), 창작과비평사
- 헤밍웨이, 어니스트 (Ernest Hemingway), "노인과 바다" (1999), 문예출판사
- Baudelaire, C, "Oeuvres Complètes, II. Pléarde" (1976), Gallimard
