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The Agamemnon Myth of the Curse in Shepard’s Curse of the Starving Class

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주제분류영어와문학

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Abstract

This paper deals with the mythic structure of Agamemnon myth with which Curse of the Starving intensifies its theme of inherited curse. Some critics have alluded to the mythic elements in the play, but none has delineated the play’s undercurrent mythic meanings related with the Agamemnon myth. Instead, many critics believe that the family in Shepard’s domestic drama is a metaphor for society and that the disintegration of the family is a metaphor for American culture. We can read a social criticism in the play through its surface manifestations. The approach of social criticism, however, seems to be an incomplete way to probe into the meanings in the undercurrent of Curse of the Starving Class since the play deals with the human condition, not merely its social manifestations. In its underlying structure the play deals intensely with the inheritance of a family curse. We may have to note that this theme of inherited curse is intensified through the undercurrent mythic structure borrowed from the Agamemnon myth in which the family curse of Tantalus is handed down through Atreus to Orestes.

참고문헌 (20)

  1. Bert, "Shepard’s Curse of the Starving Class", pp.~42 (1983)
  2. "Sleep and Curse of the Starving Class Notes on Contemporary Literature 13", pp.10~11 (1983)
  3. "Wesley’s Role in Sam Shepard’s Curse of the Starving Class Notes on Contemporary Literature 13", pp.10~11 (1983)
  4. Cott,Jonathan, "Visions and Voices" (1987), Doubleday-Dolphin
  5. Falk, "Men without Women The Imagination of Sam Shepard", pp.90~103 (1991)
  6. "The Role of Performance in Sam Shepard’s Plays"
  7. Glore, "The Canonization of Mojo Rootforce Sam Shepard Live at the Pantheon", pp.53~12 64 (1981)
  8. Hall, "‘Fire in the Snow’ A Kind of Alaska Women in the Plays of O’Neill", pp.91~115 (1993)
  9. Esther, "Five Contemporary Playwrights in Essays and Interviews", pp.3~16 (1988)
  10. Luedtke, "‘From Fission to Fusion’ New Essays on American Drama", pp.143~76 66 (1989)
  11. Lyons, "Shepard’s Family Trilogy and the Conventions of Modern Realism", pp.115~30 (1993), Martin Press
  12. Mottram,Ron, ".Inner Landscapes:The Theater of Sam Shepard" (1984), Missouri UP
  13. Randall, "Adapting to Reality Language in Shepard’s Curse of the Starving Class Casebook on Modern Drama 2", pp.121~34 (1988)
  14. Henry I, "Journal of Dramatic Theory and Criticism 5", pp.49~60 (1991)
  15. "A Worm in the Wood The Father-Son Relationship in the Plays of Shepard", pp.12~26 (1993)
  16. Shepard, "Curse of the Starving Class", pp.135~200 (1981)
  17. With Amy Lippman, "An Interview with Sam Shepard", pp.9 40~13 41 (1984)
  18. Shepard, "Contemporary Playwrights in America and Britain UP of America", pp.75~97 (1984)
  19. Tucker,Martin, "Sam Shepard" (1992), Continuum
  20. Whiting, "Images of Women in Shepard’s Theatre", pp.494~506 (1990)

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