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주체적인 삶을 통한 성(性)정체성 회복 -『에덴동산』을 중심으로

Recovery of Sexual Identity through Subjective Life-Focusing on The Garden of Eden-

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초록

Ernest Hemingway’s reputation of masculine style has been reconsidered since his private manuscripts were made available to scholars. His posthumous writings, especially The Garden of Eden, allude to Hemingway’s tendency toward androgyny. At that time Hemingway’s conflict of sexual identity was common to the lost generation in despair. This article shows Hemingway’s struggle to re-establish his own innate sex can be perceived through the hero’s suffering; David has trouble with Catherine who has androgynous inclination asking for triangular love affair with Marita. The more confused he is with his sexual identity, the more immersed the hero is in writing. In the process of writing David can not only recover his sexual identity, choosing Marita who considers his masculinity sincerely, but also achieve the capability Hemingway had pursued as a writer. Even though The Garden of Eden is visually formed with homoeroticism, lesbian desire and androgyny, Hemingway’s central idea aiming to build a subjective life is underlined consistently.

Abstract

Ernest Hemingway’s reputation of masculine style has been reconsidered since his private manuscripts were made available to scholars. His posthumous writings, especially The Garden of Eden, allude to Hemingway’s tendency toward androgyny. At that time Hemingway’s conflict of sexual identity was common to the lost generation in despair. This article shows Hemingway’s struggle to re-establish his own innate sex can be perceived through the hero’s suffering; David has trouble with Catherine who has androgynous inclination asking for triangular love affair with Marita. The more confused he is with his sexual identity, the more immersed the hero is in writing. In the process of writing David can not only recover his sexual identity, choosing Marita who considers his masculinity sincerely, but also achieve the capability Hemingway had pursued as a writer. Even though The Garden of Eden is visually formed with homoeroticism, lesbian desire and androgyny, Hemingway’s central idea aiming to build a subjective life is underlined consistently.

참고문헌 (28)

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  22. Spilka, Mark, "Hemingway’s Quarrel with Androgyny" (1995), University of Nebraska Press
  23. Strong, Amy L, "Race and Identity in Hemingway’s Fiction" (2008), Palgrave Macmillan
  24. Strychacz, Thomas, "Hemingway’s Theaters of Masculinity" (2003), Louisiana State UP. Baton Rouge
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  27. Warnock, Mary, "Existentialism" (1970), Oxford UP
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