『동양인 서양으로 가다』에 나타난 디아스포라 주체의 인식변화와 정체성 구현

Abstract

This paper examines Kang Younghill’s East Goes West from the diasporal point of view, focusing on identity quest through transition of subject’s recognition. To criticize materialism and racism in American society, the author makes use of his alter ego and other figures in accordance with his indirect strategy. According to Han Chungpa, Kang’s alter ego, George wants to be a part of American society by physical assimilation, but can enter the mainstream society due to his lack of knowledge and rational judgement. Otherwise, Kim, a man of knowledge and sensitivity, is treated as a marginal person in American society, ending up killing himself as a spiritual exile. Though he makes Han realize that America can not be an alterative of new world, he fails in his quest for Helen because of the deep rooted racism and discrimination against minority in American society. Han’s introspection through these close friends represents Kang Younghill’s deep insight and in-depth criticism of American society. As shown in East Goes West, Diaspora literature can help Americans correct ills and contradictions of the society, enriching American literature. In this respect, Kang’s East Goes West makes Korean diaspora in America realize the importance of transition of subject’s recognition and suggests the vision for both Korean diaspora and Korean diaspora literature as well.