홉킨스가 동시대 시에 미친 영향: 홉킨스와 딕슨의 서간문을 중심으로
Hopkins’s Influence on Contemporary Poetry: Focused on the Letters between Hopkins and Dixon
2
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
This essay aims to analyze the influence of Hopkins’s critiques of Dixon’s poetry, found mainly in letters exchanged between Hopkins and Dixon. Dixon’s poems, featuring the characteristic of a Pre-Raphaelite in his young age, hadn’t drawn much attention. After starting a corresponding with Hopkins, he restarted his writing and published poems influenced by Hopkins’s critiques. Hopkins’s influence on Dixon could be categorized as direct and indirect. First, Dixon directly took to heart Hopkins’s corrections like those found in “Life and Death” and “The Spirit Wooed.” Therefore, Dixon chose not to publish many poems after receiving a negative critique from Hopkins. This could be seen as indirect and negative effects resulting from Hopkins’s critiques. However, in most cases Hopkins’s words had a significant positive influence, as proved by “Ode to an advancing age.” This shows Dixon took on Hopkins’s poetic theory and experimental style such as sprung rhythm to improve his poetic skills. Contemporary critics praised him for the freer style in the rhythm and elongated poetic dictions, all shadowing the character of Hopkins’s poetics. This means Hopkins’s new revolutionary poetic skill would have a chance of being warmly received and that Hopkins’s poetry thusly gained the power to spread during his lifetime.
Abstract
This essay aims to analyze the influence of Hopkins’s critiques of Dixon’s poetry, found mainly in letters exchanged between Hopkins and Dixon. Dixon’s poems, featuring the characteristic of a Pre-Raphaelite in his young age, hadn’t drawn much attention. After starting a corresponding with Hopkins, he restarted his writing and published poems influenced by Hopkins’s critiques. Hopkins’s influence on Dixon could be categorized as direct and indirect. First, Dixon directly took to heart Hopkins’s corrections like those found in “Life and Death” and “The Spirit Wooed.” Therefore, Dixon chose not to publish many poems after receiving a negative critique from Hopkins. This could be seen as indirect and negative effects resulting from Hopkins’s critiques. However, in most cases Hopkins’s words had a significant positive influence, as proved by “Ode to an advancing age.” This shows Dixon took on Hopkins’s poetic theory and experimental style such as sprung rhythm to improve his poetic skills. Contemporary critics praised him for the freer style in the rhythm and elongated poetic dictions, all shadowing the character of Hopkins’s poetics. This means Hopkins’s new revolutionary poetic skill would have a chance of being warmly received and that Hopkins’s poetry thusly gained the power to spread during his lifetime.
참고문헌 (20)
- 이상옥, "영문학개론" (1992), 박영사
- Boos, Florence S., "Christian Per-Raphaelitism: G. M. Hopkins’ Debt to Richard Watson Dixon", Victorian Poetry, 16(4), pp.314~322 (1978)
- Coleridge, Mary E., "The Last Poems of Richard Watson Dixon", pp.3~15 (1905), Henry Frowde
- Dixon, Richard Watson, "Lyrical Poems" (1887), H. Daniel, Fellow of Worcester College
- Dixon, Richard Watson, "Selected Poems of Richard Watson Dixon with Memoir by Robert Bridges" (1909), Smith, Elder & CO
- Dixon, Richard Watson, "The Collected Poems of Canon Richard Watson Dixon 1833-1900" (1989), Peter Lang
- Dixon, Richard Watson, "The Last Poems of Richard Watson Dixon" (1905), Henry Frowde
- Evans, Ifor, "English Poetry in the Later Nineteenth Century" (1966), Methuen & Co LTD
- Hopkins, Gerard Manley, "The Correspondence of Gerard Manley Hopkins and Richard Watson Dixon" (1955), Oxford UP
- Hopkins, Gerard Manley, "The Letters of Gerard Manley Hopkins to Robert Bridges" (1955), Oxford UP
- Hopkins, Gerard Manley, "The Poems of Gerard Manley Hopkins" (1984), Oxford UP
- Gee, Henry, "History of the Church of England from the Abolition of the Roman Jurisdiction. vol. 5", pp.5~17 (1902), The Clarendon Press
- Kitchen, Paddy, "Gerard Manley Hopkins: A Life" (1989), Carcanet Press
- Lahey, Gerard F., "Gerard Manley Hopkins" (1972), Gordon Press
- Nixon, Jude V., "Gerard Manley Hopkins and His Contemporaries:Liddon, Newman, Darwin, and Pater" (1994), Garland Publishing, Inc
- Saintsbury, George, "A History of English Prosody from the Twelfth Century to the Present Day. vol. 3" (1910), Macmillan and Co
- Sambrook, James, "A Poet Hidden: A Life of Richard Watson Dixon 1833-1900" (1962), University of London & The Athrone Press
- Schneider, Elisabeth W, "Sprung Rhythm: A Chapter in the Evolution of Nineteenth-Century Verse", PMLA, 80(3), pp.237~253 (1965)
- Sulloway, Alison G., "Gerard Manley Hopkins and the Victorian Temper" (1972), Columbia UP
- "The Athenaeum. No. 3100 (1887. 3. 26)"[URL]