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토니 모리슨의 『재즈』: 상실과의 화해

“The Reconciliation with the Loss”: Toni Morrison’s Jazz

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This paper aims to examine Toni Morrison’s consistent struggle of remaining whole in this incomplete world in which human beings’ freedom has been restricted. Her job for the truth is to recover the past and re-envision the future by exorcising the trauma, both personal and historic. She makes the African American history including traditional black music and their experiences condensed to the individual and manifested his or her self image in her novels especially through women who suffered from triple discrimination in terms of race, sex, and class. Jazz deals with the transformation of tragic relationship of a love triangle. Morrison explores African Americans’ sorrows, secrets and violent past, tracing their inside cracks caused by the cutoff from ancestors and family. Morrison uses the improvisational quality of jazz music as a narrative strategy to make Jazz a talking book. As Joe and Violet reconstruct their identity through struggling married life, Morrison shows healing process to those who survive the violent confrontation with the repressed past. In conclusion, Morrison exorcises black people’s cycle of trauma in generations and each of them comes to realize the power of his own voice in the process of healing, transformation and insight by narrating his life and defining himself as a subject. Morrison discovers and celebrates the dynamic force and firm determination that have enabled generations of African American to survive.

Abstract

This paper aims to examine Toni Morrison’s consistent struggle of remaining whole in this incomplete world in which human beings’ freedom has been restricted. Her job for the truth is to recover the past and re-envision the future by exorcising the trauma, both personal and historic. She makes the African American history including traditional black music and their experiences condensed to the individual and manifested his or her self image in her novels especially through women who suffered from triple discrimination in terms of race, sex, and class. Jazz deals with the transformation of tragic relationship of a love triangle. Morrison explores African Americans’ sorrows, secrets and violent past, tracing their inside cracks caused by the cutoff from ancestors and family. Morrison uses the improvisational quality of jazz music as a narrative strategy to make Jazz a talking book. As Joe and Violet reconstruct their identity through struggling married life, Morrison shows healing process to those who survive the violent confrontation with the repressed past. In conclusion, Morrison exorcises black people’s cycle of trauma in generations and each of them comes to realize the power of his own voice in the process of healing, transformation and insight by narrating his life and defining himself as a subject. Morrison discovers and celebrates the dynamic force and firm determination that have enabled generations of African American to survive.

참고문헌 (19)

  1. Angelo, Bonnie, "The Pain of Being Black, In Conversation with Toni Morrison", pp.255~261 (1994), UP of Mississippi
  2. Badt, Karin Luisa, "The Roots of the Body in Toni Morrison", African American Review, 29, pp.210~243 (1995)
  3. Baker, Houston A. Jr., "Blues, Ideology, and Afro-American Literature: A Vernacular Theory" (1984), Univ. of Chicago P
  4. Carabi, Angels, "Interview with Toni Morrison", Belle Letters, 10(2), pp.40~43 (1995)
  5. Cutter, Martha J, "The story Must Go On and On: The Fantastic, Narration and Intertextuality in Toni Morrison’s Beloved and Jazz", African American Review, 34(1), pp.78~92 (2000)
  6. Davis, Christina, "An Interview with Toni Morrison, In Conversation with Toni Morrison", pp.223~233 (1994), UP of Mississippi
  7. Du Bois, W. E. B, "The Souls of Black Folk" (1989), Bantam
  8. Furman,Jan, "Toni Morrison’s Fiction" (1996), University of South Carolina Press
  9. Hardack, Richard, "A Music Seeking Its Words: Double-Timing and Double-Consciousness in Toni Morrison’s Jazz", Callaloo, 18(2), pp.451~457 (1995)
  10. Jones,Carolyn M, "Traces and Cracks: Identity and Narrative in Toni Morrison’s Jazz", African American Review, 31(3) (1997)
  11. Mbalia, Doreatha Drummond, "Women Who Run With Wild: The Need for Sisterhood in Jazz", Modern Fiction Studies, 39(3), pp.93~107 (1993)
  12. Morrison,Toni, "Jazz" (1992), Plume
  13. Morrison,Toni, "Memory, Creation, and Writing, In Thought", Thought, 59(235), pp.385~390 (1984)
  14. Nancy J. Peterson, "Noble Lecture, In Toni Morrison: Critical and Theoretical Approaches", pp.267~273 (1993), Johns Hopkins UP
  15. Nancy J. Peterson, "The Art of Fiction", Paris Review, 128, pp.83~125 (1993)
  16. Otten, Terry, "The Crime of Innocence in the Fiction of Toni Morrison" (1989)
  17. Page, Philip, "Furrowing All the Brows: Interpretation and the Transcendent in Toni Morrison’s Paradise", African American Review, 35(4), pp.637~649 (2001)
  18. Rigney,Barbara Hill, "The Voice of Toni Morrison" (1991), Ohio State UP
  19. Rodrigues, Eusebio L, "Experiencing Jazz", Modern Fiction Studies, 39(3), pp.733~753 (1993)

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