Liberator or Intimate Enemy: On South Korean Cultural Circles’ Ambivalence toward Hollywood
1
조회
0
다운로드
3
인용
0
참고문헌
키워드
초록
Hollywood film was banned in colonial Korea during the Pacific War. The victory of the Allied Forces in the War meant “Hollywood’s return in glory.” Hollywood tried to regain its “lost screens” in the East Asian market, through the establishment of the Central Motion Picture Exchange (Headquarter in Tokyo and branch in Seoul) and the alliance with the U.S. government and the military (SCAP). The market share proved successful in South Korea. However, Hollywood’s offensive also caused widespread discontent about the United States Army Military Government in Korea (USAMGIK) and its cultural policy among Korean filmmakers and opinion leaders who had initially welcomed American liberators. This essay attempts to examine the ambivalence itself in relation to Hollywood within the spatio-temporal context of the “liberation”: filmmakers’ experience of state-operated production in the late colonial period, their thwarted ambition to take advantage of Japan’s imperial expansion in Asia, North Korea’s successful nationalization of film production and its encouraging effect of filmmakers’ defection from South Korea, persistence of a colonial censorship system, frustrated expectation of “authentic national cinema,” and so on.
Abstract
Hollywood film was banned in colonial Korea during the Pacific War. The victory of the Allied Forces in the War meant “Hollywood’s return in glory.” Hollywood tried to regain its “lost screens” in the East Asian market, through the establishment of the Central Motion Picture Exchange (Headquarter in Tokyo and branch in Seoul) and the alliance with the U.S. government and the military (SCAP). The market share proved successful in South Korea. However, Hollywood’s offensive also caused widespread discontent about the United States Army Military Government in Korea (USAMGIK) and its cultural policy among Korean filmmakers and opinion leaders who had initially welcomed American liberators. This essay attempts to examine the ambivalence itself in relation to Hollywood within the spatio-temporal context of the “liberation”: filmmakers’ experience of state-operated production in the late colonial period, their thwarted ambition to take advantage of Japan’s imperial expansion in Asia, North Korea’s successful nationalization of film production and its encouraging effect of filmmakers’ defection from South Korea, persistence of a colonial censorship system, frustrated expectation of “authentic national cinema,” and so on.
참고문헌 (43)
- "Minsung", 1948, ~
- Armstrong, Charles K., "The Cultural Cold War in Korea, 1945-1950", The Journal of Asian Studies, 62(1), pp.71~99 (2003)
- "Yesul Chosun", 1948
- Baek, Moonim, (2015), Somyeong chulpan
- Bruns, William B., "Motion Picture Industry in South Korea", World Trade in Commodities, 7(1), pp.1~4 (1949)
- Byun, Eun-Jin, (2013), Seonin
- Chang, Se-Jin, (2012), Pureun Yeoksa
- "PhD", Chung Ang University, 1997
- 최현희, "이중의 식민성과 보편주의 -일제 말기 한국 문학의 일본주의와 아메리카니즘 담론", 인문과학연구, (41), pp.43~62 (2014), 인문과학연구소
- "Doknib Shinbo", 1946
- Fay, Jennifer, "Theaters of Occupation: Hollywood and the Reeducation of Postwar Germany" (2008), University of Minnesota Press
- Han, Sang-Eon, (2013), Iron gwa silcheon
- 한영현, "해방기 ‘아메리카 영화론’과 탈식민 문화 기획", 대중서사연구, (30), pp.581~617 (2013), 대중서사학회
- "Heo, Eun", Korea University Research Institute of Korean Studies, ~ (2008)
- 정근식, "해방 후 검열체제의 연구를 위한 몇가지 질문과 과제 ―식민지 유산의 종식과 재편 사이에서(1945～1952)", 대동문화연구, (74), pp.7~60 (2011), 대동문화연구원
- "Maeil Shinbo", 1940
- "Chogwang", 1940, ~
- "Chogwang", 1940, ~
- "Chogwang", 1940, ~
- "Shincheonji", 1946, ~
- "Hanguk Eonnon Hakbo", 2000, 40~75
- 김승구, "해방기 극장의 영화 상영 활동에 대한 고찰", 동방학지, (158), pp.311~345 (2012), 국학연구원[DOI]
- , 1941, ~
- Kishi, Toshihiko, (2012), Somyeong chulpan
- Kitamura, Hiroshi, "Screening enlightenment: Hollywood and the Cultural Reconstruction of Defeated Japan" (2010), Cornell University Press
- Korean Film Archive, (2005), I’chae
- "Tongil gwa Pyeonghwa", 2009, 199~230
- Lee, Myung-Ja, (2011), Communication Books
- "Kyunghyang Shinmun", 1946
- "Kyeonghyang Shinmun", 1949
- Moon, Je-Ahn, (2005), Hangilsa
- "Yeonghwa Yeongu", 2002, 164~186
- "Doklib Shinbo", 2007
- "Shincheonji", 1948, ~
- "Shincheonji", 1948, ~
- 박연희, "박인환과 영화- 영화평론(1948~1956)에 나타난 아메리카니즘", 한국문학연구, (45), pp.305~336 (2013), 한국문학연구소
- Seo, Hang-Suk, "Seo Hang Suk Jeonjib 5" (1987), Hasan chulpansa
- Tanigawa, Takeshi, (2002), Kyoto University Press
- Yecies, Brian, "Korea’s Occupied Cinemas, 1893-1948: The Untold History of the Film Industry" (2011), Routledge
- "MA", Yonsei University, 2012
- Yoshimi, Shunya, (2008), Sancheorum