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슈만의 싸이클 작품에 나타나는 다층적 이야기 구조

Multi-leveled Structure of Voice Leading and Text in Schumann’s Cyclic Works

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참고문헌 (18)

  1. Adorno, Theodor, "Zum Gedächtnis Eichendorffs. In Noten zur Literatur I.", pp.105~45 (1958), Frankfurt: Suhrkamp Verlag
  2. Daverio, John, "Nineteenth Century Music and the German Romantic Ideology" (1993), New York: Schirmer
  3. "Robert Schumann: Herald of a 'New Poetic Age '" (1997), New York: Oxford University Press
  4. Ferris, Daivd, "Schumann’s Eichendorff Liederkreis and the Genre of the Romantic Cycle" (2000), New York: Oxford University Press
  5. Forte, Allen, "Introduction to Schenkerian Analysis" (1982), New York: W. W. Norton
  6. Hindenlang, Karen, "Eichendorff’s Auf einer Burg and Schumann’s Liederkries, Op. 39", Journal of Musicology, 8(4), pp.569~87 (1990)
  7. Kaminsky, Peter, "Principles of Formal Structure in Schumann’s Early Piano Cycles", Music Theory Spectrum, 11(2), pp.207~25 (1989)
  8. Komar, Arthur, "The Music of Dichterliebe: The Whole and Its Parts. In Dichterliebe", pp.63~94 (1997), New York: W.W. Norton
  9. Krebs, Harald, "Fantasy Pieces: Metrical Dissonances in the Music of Robert Schumann" (1999), New York: Oxford University Press
  10. Lewin, David, "Studies in Music with Text" (2006), Oxford: Oxford University Press
  11. McCreless, Patrick, "Song Order in the Song Cycle: Schumann’s Liederkreis, op. 39.", Music Analysis, 5(1), pp.5~28 (1986)
  12. Miller, Richard, "Singing Schumann: An Interpretive Guide for Performers" (1999), New York: Oxford University Press
  13. Neumeyer, David, "Organic Structure and the Song Cylces", Music Theory Spectrum, 4, pp.92~105 (1984)
  14. Phillips, Lois, "Lieder Line by Line, and Word for Word" (1996), Oxford: Clarendon Press
  15. Rosen, Charles, "The Romantic Generation" (1995), Cambridge: Harvard University Press
  16. Thym, Jürgen, "The Solo Song Settings of Eichendorff’s Poems by Schumann and Wolf", D, pp.1974
  17. Turchin, Barbara, "Schumann’s Song Cylces", D, pp.1981
  18. Weber, Gottfried, "Versuch einer geordneten Theorie der Tonsetzkunst, 3 vols.;Theory of Musical Composition. 2 vols." (1851), Mainz; Boston;London: Robert Cocks

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