전경린 소설의 여성정체성 찾기의 패턴분석 - 전경린의 중·단편소설을 중심으로

Abstract

This paper sees a pattern dealing with feminine identity in Jeon Gyonglin's novel, and attempts to find and analyze it through the middle and short novels in the A Woman Driving a Goat, Angel Stays Here2, Mcdonald Melancholia. In her novel, the pattern is divided into three stages: First, women who are socially and economically alienated under patriarchy appear. These are women who feel something uncomfortable, despite their continued neglect under patriarchy. The next step is to have female characters awaken their situation through others outside the home. Firstly, it analyzes the oppressive meaning of the 'house' in which women's characters reside, and the beings that arouse women's characters are also outside the patriarchal system and talk about their awakening through their relationship with them. Lastly, the desire for a new life awakened as an outside stranger is a “failure for salvation” that frustrates women despite their determination and actions. This shows the artist's desperate perception that society will not change despite personal efforts. This repetitive pattern shows the unity of the artist's message, but it also acts as a limit in the area of ​​creativity where creativity is important and can be seen as one of the reasons why the social role of Jeon Gyonglin's novel has weakened.