돈황(敦煌) 막고굴(莫高窟)의 수(隋) 및 초당(初唐) 석굴(石窟)에 보이는 미륵(彌勒) 관련 도상(圖像)

Abstract

The 57th Cave is known as a cave representing the first period of the first period of the Tang, before the appearance of the mainland Byeonsangdo Island, which became the mainstream after the 220th Cave (642). In this paper, attention was paid to the bodhisattva seats drawn on the left and right of the front and left of the Gamsil outside the 57th Cave. The statue on the north wall sits with both legs together under a tree, and the statue on the south wall takes a welcoming posture on the back seat under the tree. Bodhisattva statues with this combination and similar combinations have already appeared in the second stage, and these statues are known to be closely related to the Maitreya statue. In the case of the 57th cave, it is thought that the main temple of the main wall is not Mireuknyeo-rae because it does not take the posture of a seat. However, the two bodhisattva seats in question have a close relationship with the contrasting ideology of this cave. Examining these statues leads to a study that clearly reveals the people's thoughts on the rebirth of the Pure Land, including the Mireuk Pure Land. In addition, this paper pays attention to 託胎靈夢圖 and 出家踰城圖, and tries to clarify designs and attempts to lead people to the pure land world through these.