한애순 창 <심청가> 중 진양조의 종지형 연구 - 계면조 대목을 중심으로 -

Abstract

This thesis is aimed to examine the musical feature of cadence in Han Ae-soon'sShimchungga(Jinyangjo). Also, it identifies the relationship between the cadence and thehalf cadence which distingish phases of melody. The result of this study presents below. First, musical components of the cadence are optimized to make stability high amongthem. For example, the cadence are composed of fundamental scales of Gyemyunjo, andhave making lyrics of Daemadidaejangdan and 2+2+2 rhythmical structure. Furthermore, thecadence start with 'la' that is the core melody of Gyemyunjo, and the finalis is 'la' as well. In particular, the finalis is on the third and forth beat or the forth seriately in six beats. Also, it makes a sense of closure clear that fifth and sixth beat are mute. Second, as a result of examining the half cadence of Juguapohye, It verifies that they areused with their original form and transformed from the cadence of Jinyangjo. Especially,some principles are applied in case of transforming. For instance, the repeated melodies onthird beat are newly composed compared to the cadence. Also, 'la' is replaced by 'mi' asthe finalis and short note is followed by long note as rhythmic formation of successivefinalis. Besides, the pause of the cadence is substituted for The new melodiesThrough this analysis, it turns that the cadence of each part are comprised by specificprinciple and the half cadence are formed from the cadence in the same part. In conclusion,it's available that defining the half cadence in the development section by classifying thecadence of identical rhythm.