내사된 욕망을 반영하는 깨진 거울의 공간 - 영화 〈블랙 스완〉(2010)의 분석을 중심으로

Abstract

This study focuses on the fact that 〈Black Swan〉(film 2010), as a follow-up study on the subject of ‘The Characterized Space by Introjected Desire’, built the characterized space by ‘reflection of shattered mirror’. Through the assumption that numerous mirrors and fragmented reflections depicted in high frequency are metaphors for the character's psychodynamic, the study tried to analyze ‘the pattern of characterized space’ and ‘the strategy of characterizing the psychodynamic of the protagonist as a space’. First, by connecting the characteristic of the mirror reflections observed linearly with the point where the desires of the main characters intersect, the meaning could be summarized as follows. 1) The Pattern of the characterized space was: ① It present a perspective as if seeing the world reflected in shattered mirror by creating fragmented or distorted images through various mirrors, windows, paintings and hallucinations. ② The reflection images of the shattered mirror is gradually replaced from the description of reflection mainly by physical mirrors to the description of psychological reflection such as hallucinations. 2) The strategy of the characterized space was: ① The spaces where Protagonist Nina's mother and the head of her ballet company's opposing desires are introjected to her, that is, Erica's space and Leroy's space were structured as the reflection space of shattered mirror dominated by the desires of others. ② Both spaces each contained the subspaces for Nina such as a bedroom and a principal’s dressing room, but her inner covertness was not preserved at all. The conclusions drawn from the analysis were as follows. 〈Black Swan〉 provided a distorted perspective of the protagonist through the characterized spaces by reflection of sahttered mirror. In this way, it visually expressed the phenomenon that Nina trapped herself by the introjection, and implies that the environment that oppressed her by clashing against each other at the opposite point was objectified through cognition of the introjection. In other words, through the metaphorical act of Nina pulling out the shattered mirror piece stuck in her abdomen, she was finally freed from the desires of the others, and that this process of psychodynamic was reinforced by the strategy of the characterized space.