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Gombrich의 Seeing 이론의 발전과 그 양상

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참고문헌 (87)

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  28. Goodman , Nelson, "Languages of Art", pp.1976~ (1969), Hackett
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  35. Krieger, Murray, "Optics and Aesthetic Perception : A Rebuttal", Critical Inquiry, 11, pp.502~508 (1985)
  36. Krieger, Murray, "The Ambiguities of Representation and Illusion : An E. H. Gombrich Retrospective", Critical Inquiry, 11, pp.181~193 (1984)
  37. Lepsky, Klaus, "Gombrich on Art and Psychology", pp.32~34 (1996), Manchester University Press
  38. Lopes, Dominic McIver, "Pictures and the Representational Mind", Monist-Art and the Mind-, 86(4), pp.637~640 (2003)
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  44. Lycan, William G, "Gombrich, Wittgenstein, and the Duck-Rabbit", Journal of Aesthetics and Art Criticism, 30(2), pp.229~237 (1971)
  45. Manns, James W, "Representation, Relativism and Resemblance", British Journal of Aesthetics, 11(3), pp.281~287 (1971)
  46. Maynard, Patrick, "Perspective's Places", Journal of Aesthetics and Art Criticism, 54(1), pp.23~40 (1996)
  47. Maynard, Patrick, "Seeing Double", Journal of Aesthetics and Art Criticism, 52(2), pp.155~167 (1994)
  48. McIntosh, Gavin, "Depiction Unexplained : Peacocke and Hopkins on Pictorial Representation", British Journal of Aesthetics, 43(3), pp.279~289 (2003)
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  50. Novits, David, "Conventions and the Growth of Pictorial Representation", British Journal of Aesthetics, 16(4), pp.324~337 (1976)
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  57. Pitk?nen, Risto, "The Resemblance View of Pictorial Representation", British Journal of Aesthetics, 16(4), pp.313~323 (1976)
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  65. Puttfarken, Thomas, "The Discovery of Pictorial Composition : Theories of Visual Order in Painting 1400-1800" (2000), Yale University Press
  66. Richmond, Sheldon S, "Aesthetic Criteria: Gombrich and the Philosophies of Science of Popper and Polanyi" (1994), Rodopi
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  69. Sartwell, Crispin, "Natural Generativity and Imitation", British Journal of Aesthetics, 31(1), pp.58~67 (1991)
  70. Sartwell, Crispin, "What Pictorial Realism Is", British Journal of Aesthetics, 34(1), pp.1~12 (1994)
  71. Schier, Flint, "Deeper into Pictures" (1986), Cambridge University Press
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  73. Turner, Norman, "Some Questions about E. H. Gombrich on Perspective", Journal of Aesthetics and Art Criticism, 50(2) (1992)
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  76. Wilkerson, Terence, "Representation, Illusion and Aspect", British Journal of Aesthetics, 18(1), pp.45~58 (1978)
  77. Wilson, Catherine, "Illusion and Representation", British Journal of Aesthetics, 22(3), pp.211~221 (1982)
  78. Winters, Edward, "Aesthetic Representations", British Journal of Aesthetics, 34(1), pp.13~24 (1994)
  79. Winters, Edward, "Pictorial Variations", British Journal of Aesthetics, 38(3), pp.294~306 (1998)
  80. Wittgenstein, Ludwig, "Philosophical Investigations" (1958), Basil Blackwell
  81. Wollheim, Richard, "Reflection on Art and Illusion", British Journal of Aesthetics, 3 (1963)
  82. Wollheim, Richard, "The Question of Style in Philosophy and the Arts", pp.37~49 (1995), Cambridge University Press
  83. Wollheim, Richard, "Concerning Contemporary Art: The Power Lectures 1968-1973", pp.133~153 (1973), Oxford University Press
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  86. Wollheim, Richard, "Painting as an Art" (1987), Thames and Hudson Ltd
  87. Woodfield, Richard, "Peetz and Wollheim on Gombrich's Illusions : A Note", British Journal of Aesthetics, 28(1), pp.278~280 (1988)

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