Animation Rendering of Literary Text toward Digital Poetics - The Intermediality and the Vortex Space of Blake's Graphical Language
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The project seeks to set William Blake’works in the context computer science, media engineering, and the expanded poetry texts like digital poetry based on the medial changes for the purpose of exploring the artist's unique esthetic mind and notion of space where the dynamic inter-playing between image and words. Assuming that Blake was an early media artist to overcome the limits of artistic medium, I tried to construct vortex space by animating his illustrations with the helps of various technologies. The animated text was resulted in multimedia art product in the three-dimensional space of human cognition and provided multi-sensory aesthetic experience of the text. Through the these process, poems could acquire the materiality or the spatiality by launching literary, visual, and sonic arts simultaneously.
Abstract
The project seeks to set William Blake’works in the context computer science, media engineering, and the expanded poetry texts like digital poetry based on the medial changes for the purpose of exploring the artist's unique esthetic mind and notion of space where the dynamic inter-playing between image and words. Assuming that Blake was an early media artist to overcome the limits of artistic medium, I tried to construct vortex space by animating his illustrations with the helps of various technologies. The animated text was resulted in multimedia art product in the three-dimensional space of human cognition and provided multi-sensory aesthetic experience of the text. Through the these process, poems could acquire the materiality or the spatiality by launching literary, visual, and sonic arts simultaneously.
참고문헌 (12)
- Blake, William, "The Complete Poetry and Prose of William Blake" (1988), Doubleday
- Bloom, Harold, "Blake’s Apocalypse: A Study in Poetic Argument" (1970), Cornel UP
- Bolter, Jay David, "Remediation: Understanding New Media" (2000), MIT Press
- Bolter, Jay David, "Writing Space: Computer, Hypertext, and the Remediation of Print" (2000), Lawrence Erlbaum Association
- Deleuze, Gilles, "Cinema 1: The Movement-Image" (1986), U of Minnesota P
- Lyotard, Jean-Fran‡ois, "The Sublime and the Avant-Garde, in The Lyotard Reader" (1989), Blackwel Publishers
- Lyotard, Jean-Fran‡ois, "Presenting the Unpresentable: the Sublime, in Contextualizing Aesthetics: Form Plato to Lyotard" (1999), Wadsworth Publishing Company
- Mitchell,W.J.T., "Iconology: Image, Text, Ideology" (1986), U of Chicago P
- Mitchell,W.J.T., "Blake’s Composite Art: A Study of the Illuminated Poetry" (1978), Princeton UP
- O'Gorman, Marcel, "E-Crit: Digita Media, Critica Theory, and the Humanities" (2006), U. of Toronto P
- Wagner, Peter, "Introduction: Ekphrasis, Iconotext, and Intermediality-the State(s) of the Art(s), in Icon-Text-Iconotexts: Essays on Ekphrasis and Intermediality (European Cultures: Studies in Literature and the Arts vol. 6)" (1996), Walter de Gruyter
- W†lfflin, Heinrich, "Kunstgeschichtlich Grundergriffe, trans" (1994), Sigingsa