미야자키 하야오 작품에서 나타난 공간에 대한 기호학적 분석을 위한 선행 연구
Preceding Study for Semiological Analysis Regarding the Space in Hayao Miyazaki's Animations
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초록
This study suppose as preceding study for Semiological analysis regarding the space in Japanese most famous animation director Hayao Miyazaki's animations. Therefore, this study has been tried to find out how the change of space metamorphosed into the change of dominant discourse. Miyazaki's <Nausicaa of the Valley of Wind>, <Laputa: Castle in the Sky> and <Mononoke Hime> which were shown the narrative structure most definitely were symbolized 'the Valley of Wind', 'Laputa' and 'Forrest' suchlike spaces into the 'signs' and these signs reproduced particular discourse while leaded description of events. Though I was provided Marxist-oriented and recreationist-oriented 'War' and 'Heroic Saver' as Miyazaki's dominant discourse throughout text, other animations which were not symbolized the spaces or just assumed it as minor codes were deconstructed the narrative structure and demoted the dominant discourse at the front as common. These un-narrative lyrical animations rather close to Miyazaki's true purpose of animation making. This study is only preceding study as stated above. This study, hereafter, will be complemented and executed more specific Semiological analysis to specific spaces in each Miyazaki's animations.
Abstract
This study suppose as preceding study for Semiological analysis regarding the space in Japanese most famous animation director Hayao Miyazaki's animations. Therefore, this study has been tried to find out how the change of space metamorphosed into the change of dominant discourse. Miyazaki's <Nausicaa of the Valley of Wind>, <Laputa: Castle in the Sky> and <Mononoke Hime> which were shown the narrative structure most definitely were symbolized 'the Valley of Wind', 'Laputa' and 'Forrest' suchlike spaces into the 'signs' and these signs reproduced particular discourse while leaded description of events. Though I was provided Marxist-oriented and recreationist-oriented 'War' and 'Heroic Saver' as Miyazaki's dominant discourse throughout text, other animations which were not symbolized the spaces or just assumed it as minor codes were deconstructed the narrative structure and demoted the dominant discourse at the front as common. These un-narrative lyrical animations rather close to Miyazaki's true purpose of animation making. This study is only preceding study as stated above. This study, hereafter, will be complemented and executed more specific Semiological analysis to specific spaces in each Miyazaki's animations.
참고문헌 (10)
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- 키리도시 리사쿠, "미야자키 하야오론" (2002), 열음사
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- 윤현주, "미야자키 하야오 작품의 비교문화적 연구", pp.2006
- 정동희, "애니메이션작가 미야자키 하야오의 작품분석", pp.1999
- 정병국, "영화기호학의 전개과정에 관한 연구", 중앙대학원석론 (1997)
- "스튜디오 지브리 영문공식사이트"[URL]
