한국영화 부가시장 활성화를 위한 오픈플랫폼 도입 논의
application of the open distribution platform to the korean film industry for revitalizing the secondary market
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The Korean film industry has been growing with repeating the cycle of growth and recession. Currently, Korea's film industry, peaked in 2006, is entering into the down turn, facing a serious crisis. The purpose of this study is to examine the current situation of the Korean film industry, to analyze major factors causing the recession, and finally to find out a way out of recession mainly focusing on the secondary market. As the Korean film industry is entering into the path of drastic recession, it in turn is raising issues pertaining to its weak structure. Due to the decrease in the number of movie goers, production cost increase and revenue decease, the Korean film's profit structure is not sound, and this stagnation seems to continue for a while. Among various problems, collapse of the ancillary market is pointed out as the most serious problem. The profit share of the digital distribution of film content remains at 2% level despite the fact that the IPTV /digital cable market is growing fast thanks to the almost full penetration of the broadband. Furthermore, DVDNHS sales and rental market is dwindling fast. Therefore, revitalizing the secondary market seems quite essential in order to resolve the current crisis and to improve the profit structure. Above all, it is necessary to provide the open platform for the distribution of film content effectively. In particular, the open DRM platform model with limited roles presented in this paper can be leveraged to resolve long-held conflicts surrounding copyright violation and to convert to a trust-based market. This also can be leveraged to vitalize diverse derivative transactions that can help the secondary market of the film content to surpass the primary market.
Abstract
The Korean film industry has been growing with repeating the cycle of growth and recession. Currently, Korea's film industry, peaked in 2006, is entering into the down turn, facing a serious crisis. The purpose of this study is to examine the current situation of the Korean film industry, to analyze major factors causing the recession, and finally to find out a way out of recession mainly focusing on the secondary market. As the Korean film industry is entering into the path of drastic recession, it in turn is raising issues pertaining to its weak structure. Due to the decrease in the number of movie goers, production cost increase and revenue decease, the Korean film's profit structure is not sound, and this stagnation seems to continue for a while. Among various problems, collapse of the ancillary market is pointed out as the most serious problem. The profit share of the digital distribution of film content remains at 2% level despite the fact that the IPTV /digital cable market is growing fast thanks to the almost full penetration of the broadband. Furthermore, DVDNHS sales and rental market is dwindling fast. Therefore, revitalizing the secondary market seems quite essential in order to resolve the current crisis and to improve the profit structure. Above all, it is necessary to provide the open platform for the distribution of film content effectively. In particular, the open DRM platform model with limited roles presented in this paper can be leveraged to resolve long-held conflicts surrounding copyright violation and to convert to a trust-based market. This also can be leveraged to vitalize diverse derivative transactions that can help the secondary market of the film content to surpass the primary market.
참고문헌 (9)
- "한국영화연감" (1999), 영화진흥위원회
- "「한국영화산업 결산」, (2001-2008), 영화진흥위원회", ~
- 현대원, "퍼스널 미디어" (2004), 디지털 미디어 리서치
- Measuring the Information Society - The ICT Development Index 2009 Edition, , International Telecommunications Union, ~ (2009)
- US Entertainment Industry Market Statistics, , MPAA, ~ (2008)
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- 박철웅, "디지털 시네마의 영화제작 도구로써 효용성과 한국영화산업에 대한 영향 연구", 한국콘텐츠학회 논문지, 7(5), pp.128~137 (2007), 한국콘텐츠학회
- 미디어 융합시대의 영화발전전략: 영화콘텐츠에 대한 수용자 인식, "임성원", Korean Film Observatory, ~ (2008)
- 미디어 융합시대의 영화발전전략: 영화콘텐츠 사업자 전략, "채희상", Korean Film Observatory, ~ (2008)
