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영화 <Dressed To Kill>에 나타난 여성혐오적 시각과 안티페미니즘

Misogynistic Viewpoint and Antifeminism in the Film 'Dressed To Kill'

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참고문헌

키워드

주제분류예술일반

초록

Dressed to Kill, written and produced by Brian De Palma is a 1980 film. It is approximately a decade after a wave of feminism had occurred over the course of 1970s, and therefore well reflects on the side of Misogynistic viewpoint and Anti-feminism. In this film, the director, as a matter of fact, also known as a misogynist depicts females as inferior characters to males based on their social positions, intelligence and behaviors. The motives of an actress being murdered and punished are entirely described from patriarchal viewpoint, which leads to misogynistic viewpoint where the female is fully responsible for all of problems and reasons. Besides, such patriarchal backgrounds do not reveal its own intention on narratives since they are described and characterized as twisted thriller film. The overall point of view of Brian De Palma in this film is quite similar to Alfred Hitchcock who produced the film, <Psycho>. This study is to reevaluate “Dressed to Kill” based on misogynistic viewpoint and anti-feminism. The purpose of this analysis is to show how the director approaches to the overall views of patriarchy threatened by females in this film and how these threats are overcame by the director’s editing, lighting, screen partition and characters.

Abstract

Dressed to Kill, written and produced by Brian De Palma is a 1980 film. It is approximately a decade after a wave of feminism had occurred over the course of 1970s, and therefore well reflects on the side of Misogynistic viewpoint and Anti-feminism. In this film, the director, as a matter of fact, also known as a misogynist depicts females as inferior characters to males based on their social positions, intelligence and behaviors. The motives of an actress being murdered and punished are entirely described from patriarchal viewpoint, which leads to misogynistic viewpoint where the female is fully responsible for all of problems and reasons. Besides, such patriarchal backgrounds do not reveal its own intention on narratives since they are described and characterized as twisted thriller film. The overall point of view of Brian De Palma in this film is quite similar to Alfred Hitchcock who produced the film, <Psycho>. This study is to reevaluate “Dressed to Kill” based on misogynistic viewpoint and anti-feminism. The purpose of this analysis is to show how the director approaches to the overall views of patriarchy threatened by females in this film and how these threats are overcame by the director’s editing, lighting, screen partition and characters.

참고문헌 (10)

  1. 김원홍, "오늘의 여성학" (1999), 건국대학교출판부
  2. 심정순, "여성문화 예술이론" (1999), 동인
  3. 이영자, "소비자본주의 사회의 여성과 남성" (2000), 나남
  4. 한국여성연구소, "새 여성학 강의" (2005), 동녘
  5. 구경은, "영화의 사운드로서의 음악", 서양음악학, 9(2), pp.51~78 (2006), 한국서양음악학회
  6. 김시무, "앨프레드 히치콕의 관음증 삼부작", 영화연구, (35), pp.285~320 (2008), 한국영화학회
  7. 변기찬, "프랑스의 근대화와 안티페미니즘(Antife minisme)", 지중해지역연구, 6(2), pp.69~87 (2004), 지중해지역원
  8. 어일선, "페미니스트 영화에 대한 연구", 영상기술연구, (10) (2007), 영상기술학회
  9. 주진숙, "페미니즘 영화비평의 이론적 전환에 대한 연구", 영화연구, (13) (1997), 한국영화학회
  10. 홍기령, "신화적 사유 속의 모녀관계: 여성주의 정신분석학을 방법론으로", 아시아여성연구, 45(1), pp.267~294 (2006), 아시아여성연구소

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