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한중합작영화현장의 제작 시스템과 노동조건 분석 -촬영감독의 예를 중심으로-

A Study on the Difference of the Production System and Working Condition through the Joint-Korea-China Film -With focusing on cinematographer-

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초록

As the Chinese movie market has exploded in recent years, examples of Korean-Chinese joint films are gradually increasing. However, most of the studies are thought to be in the view of the macro view that analyzed the flow of Korean - Chinese joint films from the huge industrial perspective of the movie industry in both countries. While there is no room for rethinking the significance of such an industrial perspective, it is also necessary to look at the flow of the Korean-Chinese joint film from a practical point of view and look at the working conditions and the situation of the staff working at the actual site. This study examines the situation of Korean cinematographers working in Chinese cinema in order to look at the film of both countries from a practical point of view when these Korean film staffs faced the actual working circumstance in the Chinese film making. Therefore, the purpose of this study is to examine the difference of the production system of the staffs of two countries, the labor conditions, and the contract specificities through experience of several staffs who worked in the recent joint film between Korea and China. It also examines the effects of the conflict between South Korea and China over the recent THAAD placement issue in South Korea, and discusses future prospects.

Abstract

As the Chinese movie market has exploded in recent years, examples of Korean-Chinese joint films are gradually increasing. However, most of the studies are thought to be in the view of the macro view that analyzed the flow of Korean - Chinese joint films from the huge industrial perspective of the movie industry in both countries. While there is no room for rethinking the significance of such an industrial perspective, it is also necessary to look at the flow of the Korean-Chinese joint film from a practical point of view and look at the working conditions and the situation of the staff working at the actual site. This study examines the situation of Korean cinematographers working in Chinese cinema in order to look at the film of both countries from a practical point of view when these Korean film staffs faced the actual working circumstance in the Chinese film making. Therefore, the purpose of this study is to examine the difference of the production system of the staffs of two countries, the labor conditions, and the contract specificities through experience of several staffs who worked in the recent joint film between Korea and China. It also examines the effects of the conflict between South Korea and China over the recent THAAD placement issue in South Korea, and discusses future prospects.

참고문헌 (8)

  1. 류닝, 장칭, "중국 영상산업 계약과 실제, 영화진흥위원회" (2013), 커뮤니케이션북스
  2. 정재승, "한중합작영화 <마음이2;心心歷險記(싱싱리시엔지)>의 국제공동제작 연구", 석사, 영화기획, pp.2011
  3. 정명화, "한중영화합작의 발전방향", 한국엔터테인먼트산업학회논문지, 10(3), pp.1~15 (2016), 한국엔터테인먼트산업학회
  4. 김휘정, "중국의 한한령과 문화콘텐츠 산업의 과제", 이슈와 논점, (1264) (2017), 국회입법조사처
  5. 중국 영화진흥촉진법 그리고 한한령이 미치는 영향, "송경원", 영화진흥위원회, ~ (2016)
  6. 한중 공동제작 프로젝트, 중간 점검 <평안도> <하유교목 아망천당> <메이킹 패밀리>의 교훈, "전종혁", 영화진흥위원회, ~ (2016)
  7. 한중합작 : 촬영감독들이 말하는 중국현장 이야기, "영화진흥위원회 편집부", 영화진흥위원회, ~ (2016)
  8. 최수문, "시대착오적인 중국영화법", 서울신문, ~ (2017)

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