서울시 개최 영화제의 평가와 진흥 정책 연구
The Evaluation and Promotion Policy for Film Festivals in Seoul
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초록
International film festival means the event where diverse genre of films from all over the world are shown and compete each other, also actors and directors are invited for the interaction and networking between filmmakers in its film market. It offers audiences chances to meet various kinds of films and filmmakers that of interaction and business. Moreover, it develops film as art and industry, and takes a role as a window through which the culture including film in its society matures and develops in general. The key to success in film festival is judged by the view of participants in the group, which decide whether it was successful or insufficient to meet the expectation and plan, and the check point differs in the stages of its process. It can be evaluated by plan, budget, human and material resources, chosen films and filmmakers, and by the practice like the ability to perform and manage it in the period of the festival. Finally after the festival, its assessment can be done by clear accounting and the appraisal by the press, filmmakers, audiences and festival organization itself. The competitiveness of international film festival is summarized as reputation that attracts qualified films and filmmakers, differentiation that reveals clear direction and unique color in its programming, and effectiveness in its management, the composition of its business, and finance. In this point of view, the international film festival by the Seoul government has to secure cultural diversity by introducing art films, independent films, experimental films, classics, and ethnic films which it is hard for citizens and audiences to meet in the theaters. This can help each film festival to enhance the reputation and the authority, and to motivate filmmakers and audiences to participate in the festival spontaneously.
Abstract
International film festival means the event where diverse genre of films from all over the world are shown and compete each other, also actors and directors are invited for the interaction and networking between filmmakers in its film market. It offers audiences chances to meet various kinds of films and filmmakers that of interaction and business. Moreover, it develops film as art and industry, and takes a role as a window through which the culture including film in its society matures and develops in general. The key to success in film festival is judged by the view of participants in the group, which decide whether it was successful or insufficient to meet the expectation and plan, and the check point differs in the stages of its process. It can be evaluated by plan, budget, human and material resources, chosen films and filmmakers, and by the practice like the ability to perform and manage it in the period of the festival. Finally after the festival, its assessment can be done by clear accounting and the appraisal by the press, filmmakers, audiences and festival organization itself. The competitiveness of international film festival is summarized as reputation that attracts qualified films and filmmakers, differentiation that reveals clear direction and unique color in its programming, and effectiveness in its management, the composition of its business, and finance. In this point of view, the international film festival by the Seoul government has to secure cultural diversity by introducing art films, independent films, experimental films, classics, and ethnic films which it is hard for citizens and audiences to meet in the theaters. This can help each film festival to enhance the reputation and the authority, and to motivate filmmakers and audiences to participate in the festival spontaneously.
참고문헌 (20)
- 2011 국제영화제 평가, "문화관광연구원", ~ (2012)
- 제16회 부산국제영화제 결과보고서, "부산국제영화제 조직위원회", ~ (2011)
- Pifan 2011 결과보고서, "부천국제판타스틱영화제 조직위원회", ~ (2011)
- 서울개최영화제 지원방법 개선계획, "서울시 경쟁력강화본부 문화산업담당관", ~ (2010)
- 제13회 서울여성영화제 개최결과보고서, "서울여성영화제 집행위원회", ~ (2011)
- 제3회 서울충무로국제영화제 평가보고서, "서울충무로국제영화제 조직위원회", ~ (2009)
- 영화진흥위원회, "국제영화제 발전방안 전문가 토론", ~ (2010)
- 영화진흥위원회, "프랑스 영화산업 현황 및 공공지원 정책", 한불영상세미나 (2001)
- 제12회 전주국제영화제 종합보고, "전주국제영화제 조직위원회", ~ (2011)
- 국제영화제 평가 및 향후 발전 방안, "한국문화관광정책연구원", ~ (2004)
- Adam Langer, "The Film Festival Guide" (2000), Chicago Review Press
- Benjamin Craig, "Cannes: A Festival Virgin's Guide-Attending the Cannes Film Festival for Filmmakers and Film Industry Professionals" (2006), Cinemagine Media Pub
- Carrefour des Festival, "European Directory of Film Festivals 1996-1997" (1996), Editions Temps Libres
- Dina Iordanova, "Film Festival Yearbook 1: The Festival Circuit" (2009), College Gate Press
- Kenneth Turan, "Sundance to Sarajevo: Film Festivals and the World They Made" (2003), University of California Press
- Marijke de Valck, "Film Festivals: From European Geopolitics to Global Cinephilia" (2008), Amsterdam University Press
- Analysis of Canada's Major Film Festival, "Secor Consulting", Secor Consulting, ~ (2004)
- Shael Stolberg, "International Film Festival Guide" (2000), Festival Products
