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디지털 멀티채널 사운드를 통한 영화의 미학적 가능성의 확장

Aesthetic Extension of Motion Picture via Digital Multi-channel Sound

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초록

The development of digital imaging technology has changed the overall look of the movie making process. Reduction of cost and shortened production period are the most notable changes via digital technology. However, in addition to technical advantages production-wise, such technical development will have a huge influence on aesthetic elements. In case of traditional movie making process, directing abilities were given strong priority over technical elements such as editing and sound, which were widely considered to be only accessorial. However such trend is surely narrow-minded. Referring to the quote once made by George Lucas that “sound is 50% of moviegoing experience”, wouldn’t it be right to carefully assume that the importance of sound, that has only played a supporting role to directing, now accounts for half of what a movies represents aesthetically? Although not surprisingly one could say such assumption is exaggerated and a logical leap is involved, a quote by George Lucas, a legendary director could imply a lot. Having said so, from an aesthetic development point of view, value of technical producers who are responsible for second-half of movie production can be considered very crucial to the entire film industry. In this thesis, the influence on film’s aesthetic development will be discussed focussing on changes brought to movie making process by development of digital technology.

Abstract

The development of digital imaging technology has changed the overall look of the movie making process. Reduction of cost and shortened production period are the most notable changes via digital technology. However, in addition to technical advantages production-wise, such technical development will have a huge influence on aesthetic elements. In case of traditional movie making process, directing abilities were given strong priority over technical elements such as editing and sound, which were widely considered to be only accessorial. However such trend is surely narrow-minded. Referring to the quote once made by George Lucas that “sound is 50% of moviegoing experience”, wouldn’t it be right to carefully assume that the importance of sound, that has only played a supporting role to directing, now accounts for half of what a movies represents aesthetically? Although not surprisingly one could say such assumption is exaggerated and a logical leap is involved, a quote by George Lucas, a legendary director could imply a lot. Having said so, from an aesthetic development point of view, value of technical producers who are responsible for second-half of movie production can be considered very crucial to the entire film industry. In this thesis, the influence on film’s aesthetic development will be discussed focussing on changes brought to movie making process by development of digital technology.

참고문헌 (22)

  1. 강성훈, "방송음향 총론" (2003), 기전연구사
  2. 권호식, "방송음향 믹싱의 실제" (2003), 우신
  3. 박성수, "디지털 영화의 미학" (2001), 문화과학사
  4. 이강승, "최신 입체음향" (2002), 기전연구사
  5. 정희구, "Making film sound" (2008), 여울미디어
  6. 이철희, "디지털영화의 이해" (2005), 집문당
  7. Ashley Shepherd, "Pro Tools for Video, Film and Multimedia" (2008), Course Technology
  8. Bob Katz, "Mastering Audio" (2002), Focal Press
  9. Bobby Owsinski, "Mixing Engineer’s Handbook" (1999)
  10. Dale Angell, "Pro Tools for Film and Video" (2009), Focal Press
  11. David Lewis Yewdall, "The Practical Art of Motion Picture Sound" (2007), Focal Press
  12. Microphone Technics, "David Miles Huber", ~ (1999)
  13. Dennis Baxter, "A Practical Guide to Television Sound Engineering" (2007), Focal Press
  14. Hilary wyatt, "Audio Post Production for Television and Film" (2004), Focal Press
  15. Jay Rose, "Producing Great Sound for Film and Video" (2008), Focal Press
  16. Jeffrey Rona, "Synchronization from Reel to Reel" (1990), Hal Leonard
  17. John Purcell, "Dialogue Editing for Motion Pictures" (2007), Focal Press
  18. RichTozzoli, "Pro Tools Surround Sound" (2005), MixingBackBeat books
  19. Stanley R. Alten, "Audio in Media" (2010), THOMSON
  20. Tomlinson Holman, "Sound for Digital Video" (2005), Focal Press
  21. Tomlinson Holman, "Sound for Film and Television" (2010), Focal Press
  22. Tomlinson Holman, "5. 1 Surround Sound; up and running" (1999), Focal Press

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