略谈南朝骈文之难读-以任昉文为例
The Analysis of Implication and Aesthetics of Ren Fang's Paralled Proses in the Southern Dynasties
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Those paralleled prose composed during Southern Dynasties are mostly having a feature in common that in order to create novelty of literacy, writers tends to separate or abbreviate words when referring to classical allusions. A situation could be obviously observed that the connections between sentences and paragraphs are always implicational. This rhetoric device, as is called “Qian Qi Nei Zhuan” by pre-modern literati, endows readability with difficulty and otherwise creating a sense of aesthetic peculiarity. This thesis tries to analyse some of Ren Fang’s works as example, thus inducing some conclusions as a preliminary inquiry into this issue.
Abstract
Those paralleled prose composed during Southern Dynasties are mostly having a feature in common that in order to create novelty of literacy, writers tends to separate or abbreviate words when referring to classical allusions. A situation could be obviously observed that the connections between sentences and paragraphs are always implicational. This rhetoric device, as is called “Qian Qi Nei Zhuan” by pre-modern literati, endows readability with difficulty and otherwise creating a sense of aesthetic peculiarity. This thesis tries to analyse some of Ren Fang’s works as example, thus inducing some conclusions as a preliminary inquiry into this issue.
참고문헌 (8)
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