판소리 문학에 나타난 日常性

참고문헌 (14)

1. 김진영 외, "춘향전 전집", 1 (1997), 박이정
2. "흥부전 전집", 1 (1997), 박이정
3. "적벽가 전집", 1 (1998), 박이정
4. 뿌리깊은 나무, "판소리 다섯 마당" (1982), 한국브리태니커회사
5. 카렐 코지크, "박정호 옮김" (1985), 거름
6. 알프 뤼트케 외, "일상사란 무엇인가" (2002), 청년사
7. 김종철, "적벽가의 민중정서와 미적 성격 적벽가 연구", pp.279~319 (2000), 신아출판사
8. 서대석, "적벽가의 재검토 적벽가 연구", pp.349~381 (2000), 신아출판사
9. 서종문, "적벽가 군사설움타령의 생성과 기능 적벽가 연구", pp.383~420 (2000), 신아출판사
10. 정충권, "<토끼전> 言辯 대결의 양상과 의미", 판소리연구, (20), pp.217~240 (2005), 판소리학회
11. "The Routineness Appearing in Pansori"
12. and find its meaning, "This paper tries to investigate the routineness appearing in the five Pansori works transmitted so far"
13. "Pansori often approaches the audience by revealing routineness as familiarity and repetition when the audiences greatly express sympathy with the situations in the play because they are frequently observed in neighbors the insertion of related songs contributes to the enhancement of sympathy the representation of routine in Pansori can be said to be a mechanism for sympathy aiming the audiences who live a similar life with the characters in the play"
14. In the latter, "more significant in the view at that time are the routine as survive and the routine revealed as a problem of the real through the destruction by the external power While it becomes a play in <Heungbo-ga> the routine in <Jeokbyeok-ga> exists in the memory to be reminded by nameless soldiers the routine destroyed by the external power and thus revealed as a problem of the real is depicted The routine depicted in this way must contain significant questions"

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