미디어융합의 점증에 따른 구비문학 연구의 확장 지점 모색 - 문학적 연구, 미디어적 연구에서 구술문화비평까지 -
Seeking Research-point in Oral Literature According to Media Convergence’s Increasing
0
조회
0
다운로드
9
인용
0
참고문헌
키워드
초록
This paper considers oral literature from the viewpoint of oral media on one hand, and presents the necessity of understanding it from the perspective of the progressive course of media convergence from oral media, through letter media and radio media to digital media. It restricts the view of oral literature as media to regard it as a product of oral culture and compare it those media appearing later including literal culture, radio culture, and digital culture. However, by seeing oral literature as a product of ‘oral media,’ we can realize that the media created by human beings, after all, is nothing but the extension and convergence of human sense organs. Thus I propose that we approach oral literature from the perspective of oral media to explicate its vibrant and creative principles as a medium. This may provide the basis for fully and synchronically looking at those media appearing later including literal, radio, and digital media. For this, we need to not only fulfill literary study in oral media, but also synchronically examine how the principles of oral media are accommodated in literal media, radio media, and digital media respectively. And, it is necessary to approach it in the methodology named ‘oral cultural criticism,’ and establish it as a field of research. Only by doing so can we concretely explore a novel area of the study in oral literature.
Abstract
This paper considers oral literature from the viewpoint of oral media on one hand, and presents the necessity of understanding it from the perspective of the progressive course of media convergence from oral media, through letter media and radio media to digital media. It restricts the view of oral literature as media to regard it as a product of oral culture and compare it those media appearing later including literal culture, radio culture, and digital culture. However, by seeing oral literature as a product of ‘oral media,’ we can realize that the media created by human beings, after all, is nothing but the extension and convergence of human sense organs. Thus I propose that we approach oral literature from the perspective of oral media to explicate its vibrant and creative principles as a medium. This may provide the basis for fully and synchronically looking at those media appearing later including literal, radio, and digital media. For this, we need to not only fulfill literary study in oral media, but also synchronically examine how the principles of oral media are accommodated in literal media, radio media, and digital media respectively. And, it is necessary to approach it in the methodology named ‘oral cultural criticism,’ and establish it as a field of research. Only by doing so can we concretely explore a novel area of the study in oral literature.
참고문헌 (24)
- 강은해, "구비문학과 대중매체 문화-고전재담과 현대 전파매체 공간의 재담을 중심으로-", 고전재담과, 13, pp.353~395 (2001), 한국구비문학회
- 김미진, "고전문학을 활용한 텔레비전 드라마의 스토리텔링 사례 연구", 석사, pp.2008
- 김헌선, "21세기 구비문학의 문화사적 위상", 구비문학연구, 6, pp.445~477 (1998), 한국구비문학회
- 신동흔, "현대 구비문학과 전파매체―이야기 영역을 중심으로―", 구비문학연구, 3, pp.143~175 (1996), 한국구비문학회
- 이윤진, "한국 텔레비전 문화의 형성과정: 구술매체와 구술문화의 근대적 결합", 박사, pp.2002
- 이명현, "이물교혼에 나타난 여자요괴의 양상과 문화콘텐츠로의 변용-구미호이야기를 중심으로-", 우리문학연구, 21(21), pp.139~169 (2007), 우리문학회
- 박윤희, "한국공포드라마에 나타난 성격분장 연구: 2008년 KBS 납량특집 8부작 ‘전설의 고향’ 작품을 중심으로", 석사, pp.2009
- 조도현, "디지털미디어 통신언어에 나타난 구술성의 특징 연구", 석사, pp.2005
- 천혜숙, "현대의 이야기문화와 TV현대의 이야기문화와 TV", 구비문학연구, (16), pp.1~26 (2003), 한국구비문학회
- 한소진, "21세기 TV 드라마에 반영된 설화의 세계관 고찰", 문학과 영상, 5(2), pp.269~294 (2004), 문학과영상학회
- 한소진, "TV드라마와 광고에 나타난 설화적 남성형 연구: '숯구이 총각'론", 문학과 영상, 7(1), pp.239~266 (2006), 문학과영상학회
- 성기열, "한국민담의 세계" (1982), 인하대학교출판부
- 임석재, "한국구전설화 : 전라북도 편 Ⅱ" (1994), 평민사
- 한소진, "설화의 바다에서 퍼올린 한국드라마" (2005), 한국학술정보
- 노에 게이치, "이야기의 철학" (2009), 한국출판마케팅연구소
- 칼-에릭 스베이비, "모든 것을 살아 있게 하라" (2009), 뜰
- Alan K. Bowman, "Literacy Power & in the Ancient World" (1994), Cambridge University Press
- Anne Pellowski, "The World of Storytelling" (1990), The H. W. Wilson Company
- Jack Goody, "The Power of the Written Tradition" (2000), Smithsonian Institution Press
- John D. Niels, "Homo Narrans: The Poetics and Anthropology of Oral Literature" (1999), University of Pennsylvania Press
- Kira Van Deusen, "Singing Story Healing Drum: Shamans and Storytellers of Tirkic Siberia" (2004), McGill-Queen's University Press
- Linda Dégh, "Beauty, Wealth, and Power: Career Choices for Women in Folktales, Fairy Tales, and Modern Media in: American Folklore and the Mass Media" (1994), Indiana University Press
- Margaret Read MacDonald, "Traditional Storytelling Today: An International Sourcebook" (1999), Fitzroy Dearborn Publishers
- Michael R. Real, "The Disney Universe: Morality Play in: Mass-Mediated Culture" (1977), Prentice-Hall Inc.