이용악 시에 나타난 식민지 민중 표상 연구 －「오랑캐꽃」을 중심으로-

Abstract

This paper researches a study on colonial emblems of the people in Lee Yongak’s poem.「Orangkaeggot」 suggests a violet as a symbol represented innocent people. ‘The public’ in Lee Yongak’s poem assume definite typicalities in embodiment types and emotional expression, then the emblems of the public intensively materialize in 「Orangkaeggot」. ‘A violet’ is overlapped with women’s weak figures and dying figure of the people. In the poems of Lee Yongak, the most of the poems, which the poetic subjects were expressed directly aimed at the public, take the form of condolence showing similar images in the poetic objects, circumstance and subjects. The poetic subjects of Lee Yongak have the sense of guilt held by the helpless intellectual who cannot do nothing for countless public who have died in the colonial reality at that time. Lee Yongak’s writing poems can be considered as the symbolic and ritual actions that performed the mourning for the public. The emblematizing work of the colonical public shown in the poetry of Lee Yongak functions as the basic foundation that the desire and the sense of guilt held by an intellectual from low classes can be projected. The symbolization work, the action, which puts the object lost its subject in the world of symbol, should be accompanied with the mourning essentially and perform simultaneously with the work emblematizing the object. In the poetry of Lee Yongak, the typicality in the emblem of the public is deemed to be a kind of symptom in the aspects that it not only indicates the meaning that the repetitive pattern and habit work in simply expressing the actual public as symbolic mark but also is reconstructed as the substitutive object, which makes the subject not being able to give up the condolence accompanied with the sense of guilt. Poetic subject in Lee Yongak’s poem contains emblems of the public ‘violets’ and his position that can actively practise ethical fulfill on the public at the same time. Colonial emblems of the people in Lee Yongak’s poem are objects projected Lee Yongak’s desire, sense of guilt and mourning, and become clues which can constitute himself to ethical subject. In the poems of Lee Yongak, the mourning and the work emblematizing the colonial public are concluded to the problem of the subject and have same circuit as the subject of realism poetry goes toward the ideological subject, which is, above all, expressed from Lee Yongak’s deep emotional affection for the actual public and makes us convinced that they are the records of struggle to go beyond the conflict inside of him, the intellectual from low class and the colonial reality at that time.