『카라마조프 가의 형제들』에 나타난 ‘우밀레니예’의 문제: 여성 인물들을 중심으로
The Theme of 'Umilenie' in The Brothers Karamazov - Focusing on Female Characters
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This study analyzes ‘umilenie’ as portrayed by the women in 『The Brothers Karamazov』. In particular, it mainly examines Grushenka, an extraordinary woman who deeply embodies ‘umilenie’. In comparison to the characteristics of ‘egoistic women’ as represented by Katerina and Madame Khokhlakova, the imagery and characteristics of women embodying ‘umilenie’ are clearly distinctive. Grushenka, Sophia and Lizaveta depict various aspects of ‘umilenie’; however, Dostoevsky focuses on Grushenka on his search for the notion of ‘umilenie’. In Grushenka’s case, the entire process of transition is illustrated in phases - the mere possibility of ‘umilenie’ is revealed, gradually develops, and attains to the peak. In addition, Grushenka is the sole character who realizes ‘umilenie’ in the world. Therefore, the character Grushenka was supposedly created as the prototype of a ‘human realizing umilenie’.
Abstract
This study analyzes ‘umilenie’ as portrayed by the women in 『The Brothers Karamazov』. In particular, it mainly examines Grushenka, an extraordinary woman who deeply embodies ‘umilenie’. In comparison to the characteristics of ‘egoistic women’ as represented by Katerina and Madame Khokhlakova, the imagery and characteristics of women embodying ‘umilenie’ are clearly distinctive. Grushenka, Sophia and Lizaveta depict various aspects of ‘umilenie’; however, Dostoevsky focuses on Grushenka on his search for the notion of ‘umilenie’. In Grushenka’s case, the entire process of transition is illustrated in phases - the mere possibility of ‘umilenie’ is revealed, gradually develops, and attains to the peak. In addition, Grushenka is the sole character who realizes ‘umilenie’ in the world. Therefore, the character Grushenka was supposedly created as the prototype of a ‘human realizing umilenie’.
참고문헌 (33)
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