일프와 페트로프의 작품에 나타난 웃음: 소설『열두 개의 의자(Двенадцать стульев)』를 중심으로
The Laughter in Works of Ilf and Petrov: Focused on the Novel The Twelve Chairs
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This study analyzes the laughter that appears in the novel “The Twelve Chairs” by Ilf and Petrov, that was created during the Soviet NEP era in 1927. To this end, the discussion began by recognizing that the novel was created based on a number of popular literary genres such as Picaresque novels, adventure-detective novels, and that the authors created original works by reinterpreting the aforementioned existing literary genres in the 1920s and 1930s Soviet space. The content of the novel of Ilf and Petrov seems very fairy tale and disbelief. However, the authors demonstrate the legality of fictional reality by portraying the time-space background, events and characters depicted in their works in a very specific and realistic way. This allowed us to see the development of fiction into realistic narrative art on the basis of the original from of Picaresque-adventure novels. We analyzed the novel with following key words such as the theme of ‘the wandering’, ‘the former people’, ‘the Soviet humans’, ‘Ostap Bender’, ‘the reversing and the disruption’. Through this, we have seen that, the laughter occurs in the gap between the realities created by the Soviet system and the fictional art world. In addition, we were able to see that, Ilf and Petrov, following the tradition of Gogol, created a light-hearted, southern Russia’s original laughter in a light atmosphere. Moreover the discourse on the correlation between the Gogol’s and Ilf, Petrov’s works will be continued.
Abstract
This study analyzes the laughter that appears in the novel “The Twelve Chairs” by Ilf and Petrov, that was created during the Soviet NEP era in 1927. To this end, the discussion began by recognizing that the novel was created based on a number of popular literary genres such as Picaresque novels, adventure-detective novels, and that the authors created original works by reinterpreting the aforementioned existing literary genres in the 1920s and 1930s Soviet space. The content of the novel of Ilf and Petrov seems very fairy tale and disbelief. However, the authors demonstrate the legality of fictional reality by portraying the time-space background, events and characters depicted in their works in a very specific and realistic way. This allowed us to see the development of fiction into realistic narrative art on the basis of the original from of Picaresque-adventure novels. We analyzed the novel with following key words such as the theme of ‘the wandering’, ‘the former people’, ‘the Soviet humans’, ‘Ostap Bender’, ‘the reversing and the disruption’. Through this, we have seen that, the laughter occurs in the gap between the realities created by the Soviet system and the fictional art world. In addition, we were able to see that, Ilf and Petrov, following the tradition of Gogol, created a light-hearted, southern Russia’s original laughter in a light atmosphere. Moreover the discourse on the correlation between the Gogol’s and Ilf, Petrov’s works will be continued.
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