안톤 체홉의 소설과 드라마 연구에서 다성성 개념 적용 방식의 차이
Difference between A.P. Chekhov's Novel Study and Drama Study in Applying the Concept of Polyphony
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The concept of polyphony has been commonly used in both studies of Chekhov's novels and drama, but despite the essential differences between the two literary forms, there has been no elaborate conceptual arrangement for the use of the term polyphony. This study will summarize examples of application of the concept of polyphony mentioned in Chekhov's research and present an integrated perspective on Chekhov's creations, which have been studied separately in the fields of novels and dramas. To this end, this paper will examine Bakhtin's conflicting evaluations of the possibility of the existence of polyphonic novels and polyphonic dramas, the background to the introduction of the concept of polyphony in Chekhov's novels, and the inconsistent application of polyphonic terms to Chekhov's dramas.
Abstract
The concept of polyphony has been commonly used in both studies of Chekhov's novels and drama, but despite the essential differences between the two literary forms, there has been no elaborate conceptual arrangement for the use of the term polyphony. This study will summarize examples of application of the concept of polyphony mentioned in Chekhov's research and present an integrated perspective on Chekhov's creations, which have been studied separately in the fields of novels and dramas. To this end, this paper will examine Bakhtin's conflicting evaluations of the possibility of the existence of polyphonic novels and polyphonic dramas, the background to the introduction of the concept of polyphony in Chekhov's novels, and the inconsistent application of polyphonic terms to Chekhov's dramas.
참고문헌 (18)
- Бахтин М.М., "Слово в романе. М.М. Бахтин Собр. соч. Т.3", pp.80~85 (2012), Языки славлянских культур
- Бахтин М.М., "Проблемы творчесва Достоевского. М.М. Бахтин Собр. соч. Т.6", pp.20~24 (2002), Русские словари; Языки славянских культуры
- Бахтин М.М., "Проблемы творчесва Достоевского", pp.31~33 (1994), Алконост
- Бергсон А., "Опыт о непосредственных данных сознания. Материя ипамять. Собр. соч. Т.1", pp.24~27 (1992), Московский клуб
- Громов М.П., "Книга о Чехове", pp.243~248 (1989), Современник
- Зингерман Б.И., "Театр Чехова и его мировое значение", pp.323~348 (1988), Наука
- Ивлева Т.Г., "Автор в драматургии А.П", pp.4~15 (2001), Тверской гос. ун-т
- Ищук-Фадеева Н.И., "“Новации новой драмы Чехова: к проблеме «точкизрения» в драматическом тексте,” Школа теоретической поэтики:сборник научных трудов к 70-летию Натата ДавидовичаТамарченко", pp.199~208 (2010), Изд. Кулагиной-Intrada
- Липке Ш, "А.П. Чехов: пространствоприроды и культуры. Сб. материалов Международной научнойконференции", pp.176~181 (2013), Лукоморье
- Полоцкая Э.А., "О поэтике Чехова", pp.138~141 (2000), Наследие
- Тамарли Г.И., "Поэтика драматургии А.П. Чехова", pp.130~134 (1993), Изд-во Рост. ун-та
- Удодов Б.Т., "Диалогизм авторской позиции в повести А.П. Чехова“Чёрный монах", Вестник ВГУ. Серия: Филология. Журналистика, (2), pp.34~35 (2004), ВГУ
- Успенский Б.А., "Семиотика искусства", pp.80~107 (1995), Школа
- Чехов А.П., "Полное собрание сочинений и писем: В 30-х томах" (1983), Наука
- Чехов А.П., "Переписка А.П. Чехова: В 2-х томах" (1984), Худ. литература
- Чудаков А.П, "Поэтика Чехова", pp.245~248 (1971), Наука
- Щукин С.Н., "Из воспоминаний об А.П. Чехове. А.П. Чвоспоминаниях современниковеховв. Серия Литературных Мемуаров", pp.461~ (1960), Худ. литература
- Morson G. S, "Emerson C. Mikhail Bakhtin: Creation of a Prosaics" (1990), Stanford Univ. Press