秋史 金正喜의 학문적 경향과 시학 주장

Abstract

Chu-sa Kim, Jeong-hee(秋史 金正喜) is the most closely attached to and actively accepted scholarly studies of the Qing Dynasty, and occupies a very unique position in the academic and literature of Joseon in the 19th century. In this paper, we mainly looked at Kim Jeong-hee's academic trends and literary claims. It can be summarized that Kim Jeong-hee's academic tendency tended to accept the achievements of The Rising Of Textual Research In Qing Dynasty but to defend the traditional status of Neo-Confucianism. This argument is closely related to the influence of Weng, fang-gang(翁方綱) and Ruan, yuan(阮元). Kim Jeong-hee accepted the achievements of The Rising Of Textual Research In Qing Dynasty, but tried to defend the status of traditional Neo-Confucianism, which appears to be in acknowledging the forgery theory of torture, but insisting that it cannot be abandoned. Kim Jung-hee achieved results in the study of epigraphy in Joseon Dynasty and compiled a collection of “Haedong Yemungo(海東藝文考)”, which summarizes historical literature, which converted exchanges with writers of the Qing Dynasty into research on their own culture. Kim, Jeong-hee evaluated Du, fu(杜甫)'s Chileonjeolgu as the best and compiled “Du, wenling’s seven-character quatrain”, which was influenced by the Qing Dynasty, which respected Du, fu at that time. Kim Jung-hee pointed out nine poets as a key figure and suggested a learning method that began with poets of the close era and went back to the older generation, which is also in line with the tendency of the Qing Dynasty writers. However, he insisted on learning several people at the same time, regardless of culture and trend, and it seems to be the result of learning how to learn Du Fu, which is characterized by "learn from many people(轉益多師)".