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Motion Capture Pipeline Design for Interactive Exhibition Space: focused on MIVA project

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This paper explores the application of AI motion capture technology in exhibition spaces, particularly for interactive exhibits. We conduct a review of various motion capture solutions and analyze their advantages and disadvantages when applied to interactive exhibition spaces. Our analysis demonstrates the necessity and applicability of video-based AI motion capture technology in such spaces. Furthermore, we investigate motion capture solutions through the MIVA project as a case study for such a non-standardized exhibition. Finally, we propose a pipeline for motion capture technology that can be effectively applied by identifying and solving problems that arise during installation and application of the capture program in interactive exhibition spaces.

Abstract

This paper explores the application of AI motion capture technology in exhibition spaces, particularly for interactive exhibits. We conduct a review of various motion capture solutions and analyze their advantages and disadvantages when applied to interactive exhibition spaces. Our analysis demonstrates the necessity and applicability of video-based AI motion capture technology in such spaces. Furthermore, we investigate motion capture solutions through the MIVA project as a case study for such a non-standardized exhibition. Finally, we propose a pipeline for motion capture technology that can be effectively applied by identifying and solving problems that arise during installation and application of the capture program in interactive exhibition spaces.

참고문헌 (11)

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  5. Xie, K., "Physics-based human motion estimation and synthesis from videos", Proceedings of the IEEE, 2021, 11532~11541
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  7. Vilchis, C., "Driving the future faces:Benchmarking state-of-the-art facial tracking technology for Digital Humans", ~ (2022)
  8. Ernest Edmonds, "The art of interaction", Digital Creativity, 21(4), pp.257~264 (2010)
  9. 김현주, "인터랙티브 미디어아트의 관객 경험 분석을 위한 융복합적 연구", 한국영상학회논문집, 17(3), pp.129~149 (2019), 한국영상학회[DOI]
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