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Ways of Seeing: An Anatomy of Whiteness in Claudia Rankine’s The White Card

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In The White Card (2019), Claudia Rankine dramatically interrogates whiteness’s persistent, reflexive habit of trying to preserve a state of innocence, expressing her vision of how this tendency blinds white liberal subjectivity to the structural reality of institutionalized racism in America. Rankine’s exposure of the invisibility to which people of color are usually consigned by American whiteness is inseparable from her critical interrogation of how the hypervisibility of victims of racial violence provides white liberal subjectivity opportunities to intervene and feel good about itself. What Rankine enacts in the play is a process of repetition and revision, signifyin(g) on racial violence and its history; acts of racial violence continue to accrete, and her act of signifyin(g) on the countless acts of racial violence in America conveys the understanding that this text cannot be rewritten if white America continues to attend solely to individual, ostensibly isolated, acts of racial injustice.

Abstract

In The White Card (2019), Claudia Rankine dramatically interrogates whiteness’s persistent, reflexive habit of trying to preserve a state of innocence, expressing her vision of how this tendency blinds white liberal subjectivity to the structural reality of institutionalized racism in America. Rankine’s exposure of the invisibility to which people of color are usually consigned by American whiteness is inseparable from her critical interrogation of how the hypervisibility of victims of racial violence provides white liberal subjectivity opportunities to intervene and feel good about itself. What Rankine enacts in the play is a process of repetition and revision, signifyin(g) on racial violence and its history; acts of racial violence continue to accrete, and her act of signifyin(g) on the countless acts of racial violence in America conveys the understanding that this text cannot be rewritten if white America continues to attend solely to individual, ostensibly isolated, acts of racial injustice.

참고문헌 (17)

  1. Ahmed, Sara, "On Being Included: Racism and Diversity in Institutional Life" (2012), Duke UP
  2. Allen, Theodore W, "The Invention of the White Race: Volume 2: The Origin of Racial Oppression in Anglo-America" (2012), Verso Books
  3. Baldwin, James, "Collected Essays: Notes of a Native Son, Nobody Knows My Name, the Fire next Time, No Name in the Street, the Devil Finds Work, Other Essays" (1998), Library of America
  4. Baldwin, "I Am Not Your Negro" (2017), Vintage Books
  5. Berger, John, "Ways of Seeing" (1972), Penguin Books
  6. rankenberg, Ruth, "Displacing Whiteness: Essays in Social and Cultural Criticism" (1997), Duke UP
  7. Frankenberg, Ruth, "Introduction: Local Whitenesses, Localizing Whiteness", pp.1~34, Frankenberg
  8. Gates, Henry Louis, Jr, "The Signifying Monkey: A Theory of African American Literary Criticism" (1989), Oxford UP
  9. Hartman, Saidiya V, "Scenes of Subjection: Terror, Slavery, and Self-making in Nineteenth-Century America" (1997), Oxford UP
  10. hooks, bell, "Whiteness in the Black Imagination", pp.165~179, Frankenberg
  11. Loffreda, Beth, "Beth Loffreda, and Max King Cap", pp.13~22 (2016), Fence Books
  12. Rankine, Claudia, "Just Us: An American Conversation" (2020), Graywolf Press
  13. Rankine, Claudia, "The White Card" (2019), Graywolf Press
  14. Rodgers, Richard, "The Sound of Music" (1959), Williamson Music
  15. Snyder-Young, Dani, "Privileged Spectatorship: Theatrical Interventions in White Supremacy" (2020), Northwestern UP

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